

Despair, 2024, exhibition view, Crèvecœur, Paris

Despair, 2024, exhibition view, Crèvecœur, Paris

Despair, 2024, exhibition view, Crèvecœur, Paris

Despair, 2024, exhibition view, Crèvecœur, Paris

House of Dreamers, 2023, Villa Empain, Bruxelles.

A Little Night Music (And Reversals), 2020, exhibition view, CRAC Occitanie, Sète. © Aurélien Mole

A Little Night Music (And Reversals), 2020, exhibition view, CRAC Occitanie, Sète. © Aurélien Mole

A Little Night Music (And Reversals), 2020, exhibition view, CRAC Occitanie, Sète. © Aurélien Mole

A Little Night Music (And Reversals), 2020, exhibition view, CRAC Occitanie, Sète. © Aurélien Mole

A Little Night Music (And Reversals), 2020, exhibition view, CRAC Occitanie, Sète. © Aurélien Mole

A Little Night Music (And Reversals), 2020, exhibition view, CRAC Occitanie, Sète. © Aurélien Mole

L’Isola Dei Baci (Disappearing Acts), 2019, exhibition view, KURA, Milano. © Mark Blower

L’Isola Dei Baci (Disappearing Acts), 2019, exhibition view, KURA, Milano. © Mark Blower

L’Isola Dei Baci (Disappearing Acts), 2019, exhibition view, KURA, Milano. © Mark Blower

Stage for a Theatre on Mars, 2019, exhibition view, PLATO, Ostrava. © Mark Blower

Stage for a Theatre on Mars, 2019, exhibition view, PLATO, Ostrava. © Mark Blower

Stage for a Theatre on Mars, 2019, exhibition view, PLATO, Ostrava. © Mark Blower

His Leftover Heart (Pauly et Cie), 2018, exhibition view, Crèvecœur, Marseille. © Mark Blower

Mauresque Screen (Master Hacky Returns From the Casino), 2018, reclaimed yacht timber, cracked gesso, canvas, flash, aluminium, 365 × 20 × 250 cm © Mark Blower

Jean Bourgoin Table Lamp in the Style of Diego Giacometti (Rue de la Roze), 2018, cast Plaster, Venetian Graphite Plaster, Majorelle Blue pigment, porcelain light bulb, 16 × 17,5 × 230 cm © Mark Blower

Jean Bourgoin Table Lamp in the Style of Diego Giacometti (Rue de la Roze), 2018, detail © Mark Blower

Mrs Maugham or The Pickled Waitress, 2018, Edwardian rococo chair, steel, resin, 250 × 92 × 160 cm

Mrs Maugham or The Pickled Waitress, 2018, detail

The Director’s Theatre Writer’s Theatre, 2017, exhibition view, GAK Bremen, Bremen

The Director’s Theatre Writer’s Theatre, 2017, exhibition view, GAK Bremen, Bremen

Squid Bouquet as Thrown from the Dress Circle (2), 2017, terrazzo, patinated brass, resin, 190 × 20 × 20 cm

Squid Bouquet as Thrown from the Dress Circle (2), 2017, detail

Hollywood Regency, 2017, exhibition view, Crèvecœur, Paris

Hollywood Regency, 2017, exhibition view, Crèvecœur, Paris

Hollywood Regency, 2017, exhibition view, Crèvecœur, Paris

As You Like it an Elephant of the Seventh Republic - 3 (The Actor), 2017, Hand embroidery on organza with copper,sequins, beads, 71,5 × 35 × 4,5 cm

Troubles of Don Fabrizio (/Bal d’Orient-Telescope Prototype), 2017, Copper, acrylic, pine, 169 × 76 × 35 cm.

A Month In The Country, 2016, exhibition view, Karin Guenther Gallery, Hamburg

A Month In The Country, 2016, exhibition view, Karin Guenther Gallery, Hamburg

exhibition view, 2016, Museion, Bolzano

exhibition view, 2016, Paris Internationale

For Julian-Chapter 8 (Tad’s), 2016, Blown Glass, Steel, Lacquer, Wire, Filament, Bulb

The Violet Crab, 2015, exhibition view, David Roberts Art Foundation, London

The Violet Crab, 2015, David Roberts Art Foundation, London

DEBTS (Erotic Review Sinai), 2015, exhibition view, Futura, Prague

DEBTS (Erotic Review Sinai), 2015, exhibition view, Futura, Prague

DEBTS (Erotic Review Sinai), 2015, exhibition view, Futura, Prague

Waves (Das Glückliche Rothschild), 2014, exhibition view, Mathew Gallery, Berlin

Waves (Das Glückliche Rothschild), 2013, exhibition view, Mathew Gallery, Berlin

Waves (Das Glückliche Rothschild), 2013, exhibition view, Mathew Gallery, Berlin