

Spring, 2025, oil and enamel on wood panel, 10.2 × 30.5 × 1.9 cm

Muscle Brain (Die 35-36), 2025, oil and enamel on wood panel, 20.3 × 25.4 × 1.9 cm

Exhibition view, Alexandra Noel, there, there, 2025, Crèvecœur, Paris.

Peppermint Green Screen, 2025, oil and enamel on wood panel, 7.6 × 40.6 × 1.9 cm

Exhibition view, Alexandra Noel, there, there, 2025, Crèvecœur, Paris.

Pink Orange Bag, 2025, oil and enamel on wood panel, 10.8 × 22.9 × 1.9 cm

Screw Tablet, 2025, oil and enamel on wood panel, 12.7 × 17.8 × 1.9 cm

Exhibition view, Alexandra Noel, there, there, 2025, Crèvecœur, Paris.

Hoards, 2025, oil and enamel on wood panel, 7.6 × 40.6 × 1.9 cm

The Sulk Splits, 2025, oil and enamel on wood panel, 25.4 × 30.5 × 1.9 cm

Exhibition view, Mon Chérie Coco, Institut français de Tokyo, 2024

Muck Wave Stairs I, 2024, oil and enamel on wood panel, 10.2 × 30.5 × 1.9 cm

Exhibition view, Alexandra Noel, 2024, Keijiban, Kanazawa.

Exhibition view, Alexandra Noel, 2024, Keijiban, Kanazawa.

Exhibition view, Alexandra Noel, 2024, Keijiban, Kanazawa.

Exhibition view, Alexandra Noel, 2024, Keijiban, Kanazawa.

Exhibition view, Alexandra Noel, 2024, Keijiban, Kanazawa.

Exhibition view, Alexandra Noel, 2024, Keijiban, Kanazawa.

Exhibition view, Alexandra Noel, 2024, Keijiban, Kanazawa.

Father Unearth, 2024, oil and enamel on wood panel, 6 × 7 x .75 in

What a Whale Can Do, 2024, oil and enamel on wood panel, 6 × 9 x .75 in

Narcissus and Echo in the Mud, 2024, oil and enamel on wood panel, diptych, 2.75 × 4.5 x .75 in each

Exhibition view, Burning Down the House: Rethinking Family, 2024, Kunstmuseum St. Gallen.

The Color of Fluid III, 2022, oil and enamel on panel, 3 × 4 x .75 in (7.6 × 10.2 × 1.9 cm)

Under the table (River), 2022, oil and enamel on panel, 10.2 × 15.2 cm

A Painting as Big as a Calendar, 2023, oil and enamel on wood panel, 20.3 × 25.4 × 1.9 cm

Mr. Fujita Sees His First, 2022, oil and enamel on wood panel, 11.4 × 20.3 × 1.9 cm

Exhibition view, Alexandra Noel, Three, Four, 2022, Derosia, New York.

Counterclockwise, Blood Orange, 2022, oil and enamel on panel, 11.5 × 11.5 x .75 in

Tornado in the Round I, 2022, oil and enamel on panel, 2.5 × 7 x .75 in

Wind Over Wheat, 2022, oil and enamel on panel, 4.5 × 4 x .75 in

Exhibition view, Alexandra Noel, Three, Four, 2022, Derosia, New York.

Still Waiting for More Land, 2022, oil and enamel on panel 6 × 7 x .75 in

Exhibition view, Alexandra Noel, Three, Four, 2022, Derosia, New York.

Exhibition view, Small Fixations, 2022, ICA Milano.

Skyscape Under Table, 2022, oil and enamel on panel and wood, 10.1 × 11.4 × 7 cm

Exhibition view, Alexandra Noel, Table, 2022, Crèvecœur, Paris.

A Knife on High Seas, 2022, oil and enamel on panel, 6.3 × 17.8 × 1,9 cm

Six Stuffed Grape Leaves Visit the Louvre, 2022, oil and enamel on panel, 8.9 × 18.8 × 1.9 cm

Mouth Landscape, 2022, oil and enamel on panel, 7.6 × 20.3 × 1.9 cm

Exhibition view, Alexandra Noel, Table, 2022, Crèvecœur, Paris.

Oranges Falling In Between Train Cars, 2022, oil and enamel on panel, 10.1 × 7.6 × 1.9 cm

Exhibition view, Particularities, 2021, X Museum, Beijing.

Exhibition view, Alexandra Noel, Funny Looking, 2021, Antenna Space, Shanghai

Candle Contact, 2021, oil and enamel on panel, 22.9 × 30.5 × 1.9 cm

Storm Squatting with George, 2021, oil and enamel on panel, 10.2 × 12.7 × 1.9 cm

Exhibition view, Alexandra Noel, Funny Looking, 2021, Antenna Space, Shanghai

Fruit flies, mosquitos stagger, 2021, oil and enamel on panel, 10.2 × 7.6 × 1.9 cm

Quelle Heure Est-il, Pumpkin?, 2021, oil and enamel on panel, 10.2 × 7.6 × 1.9 cm

How do I cut this?, 2021, oil and enamel on panel, 10.2 × 30.5 × 1.9 cm (4 Panels)

Rainbow Ground, 2021, oil and enamel on panel, 11.4 × 61 × 1.9 cm

Exhibition view, Alexandra Noel, MADE IN L.A. 2020, 2020, Hammer Museum, Los Angeles.

Ifs eternally in blue, 2020, oil and enamel on panel, 3 panels, 3 × 4 in. (7.6 × 10.2 cm) each

Circumcision, 2020, oil and enamel on panel, 9 × 12 in

Exhibition view, Alexandra Noel, Master Planned, 2019, Freedman Fitzpatrick, Paris

Exhibition view, Alexandra Noel, Master Planned, 2019, Freedman Fitzpatrick, Paris