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Loading La maison pour se réunir les soirs d’été, 1980, Chinese ink, pastel pencils and collage of colored Letraset cut out on paper, 59 × 40 cm
Loading La maison pour travailler, 1980, Chinese ink, pastel pencils and collage of colored Letraset cut out on paper, 59 × 40 cm
Loading Paris Internationale, booth view, 2023. © Aurélien Mole
Loading Palazzo Lime, Paris Internationale, 2023. © Aurélien Mole
Loading Paris Internationale, booth view, 2023. © Aurélien Mole
Loading Palazzi, Crèvecœur, 2023, exhibition view, Paris © Martin Argyroglo.
Loading Palazzo Dondolo (Vase in Vase series), 2022-2023, oil on wood, 50.5 × 32 × 30 cm
Loading Palazzo Dondolo (Vase in Vase series), 2022-2023, detail.
Loading Palazzi, Crèvecœur, 2023, exhibition view, Paris © Martin Argyroglo.
Loading Palazzo Colona (Vase in Vase series), 2022-2023, oil on wood, 65 × 31.5 × 30 cm
Loading Palazzi, Crèvecœur, 2023, exhibition view, Paris © Martin Argyroglo.
Loading Palazzi, Crèvecœur, 2023, exhibition view, Paris © Martin Argyroglo.
Loading Skyscrapers 11, 1984, felt pen, colored pencil and watercolor on paper, 24 × 17 cm
Loading Noto, 2006, white Carrara marble, 26 × 26 × 26 cm
Loading Alpujarra, 2006, white and green marble, 36 × 26 × 26 cm
Loading Alpujarra, 2006, detail
Loading L’objet déluré, Muséee des Arts décoratifs & du Design de Bordeaux, 2015, exhibition view, Bordeaux.
Martine Bedin, Super Lamp, 1981.