

Coquelicot, 2022, PVC, polyurethane, polystyrene, polyethylene EVA, urethane paint, 180 × 120 × 80 cm

Coquelicot, 2022, detail

Paris Internationale, 2022, booth view. © Margot Montigny

Bonaventure (Trafiquer les mondes), 2021, 22e Prix Fondation Pernod Ricard, Paris.

Les Forces Hostiles, 2021, acrylic, oil, collage on canvas, 600 × 160 × 2,5 cm.

Ruine jaune, 2021, polyurethane, polystyrene, polyethylene EVA, PVC, acrylic resin, pmma setacryl, neon LED, urethane paint, 250 × 125 × 62,5 cm.

Ruine jaune, 2021, polyurethane, polystyrene, polyethylene EVA, PVC, acrylic resin, pmma setacryl, neon LED, urethane paint, 250 × 125 × 62,5 cm.

Pandæmonium II, 2021, exhibition view, Crèvecœur, Paris.

Pandæmonium II, 2021, exhibition view, Crèvecœur, Paris.

Pandæmonium II, 2021, exhibition view, Crèvecœur, Paris.

Pandæmonium II, 2021, exhibition view, Crèvecœur, Paris.

Yellow Ghost, 2020, oil on canvas and artist frame, 230 × 150 cm.

Futur, ancien, fugitif, 2019, exhibition view, Palais de Tokyo, Paris

Futur, ancien, fugitif, 2019, exhibition view, Palais de Tokyo, Paris

De l’escarre d’écorché, 2019, oil on canvas, 230 × 190 cm

Accélération, 2019, exhibition view, Crèvecœur, Paris

Accélération, 2019, exhibition view, Crèvecœur, Paris

Cruel mais éclairé, 2019, oil on canvas, 230 × 190 cm

L’Almanach, 2018, exhibition view, le Consortium, Dijon

Real of undeciphered scars (rous), 2018, Objects made in China, copy design chair, false fur, hardware supplies 160 × 65 x 50 cm

L’Almanach, 2018, exhibition view, le Consortium, Dijon

Untitled, 2017, oil on canvas, 200 × 280 cm

Miroir Noir, 2018, exhibition view, les Abattoirs, Toulouse

Miroir Noir, 2018, exhibition view, les Abattoirs, Toulouse

Miroir Noir, 2018, exhibition view, les Abattoirs, Toulouse

Miroir Noir, 2018, exhibition view, les Abattoirs, Toulouse

Miroir Noir, 2018, exhibition view, les Abattoirs, Toulouse

En m’asseyant sur mes convictions, j’ai réalisé le plaisir de dépenser 20€, d’en figurer #lemonde comme névrose phosynthétique, 2017, PVC pipes, metal hardware, fabric, paint, ghost chair, 127,5 × 61 × 94 cm

En m’asseyant sur mes convictions, j’ai réalisé le plaisir de dépenser 20€, d’en figurer #lemonde comme névrose phosynthétique, 2017, PVC pipes, metal hardware, fabric, paint, ghost chair, 127,5 × 61 × 94 cm

Virtual Insanity, 2018, exhibition view, Kunsthalle Mainz, Mainz

Virtual Insanity, 2018, exhibition view, Kunsthalle Mainz, Mainz

Metamorphosis, 2017, exhibition view, KAI10 | Arthena Foundation, Düsseldorf

Metamorphosis, 2017, exhibition view, KAI10 | Arthena Foundation, Düsseldorf

Metamorphosis, 2017, exhibition view, Gallery Guido W. Baudach, Berlin

When Tania arrived at home, 2016, exhibition view, Crèvecœur, Paris

Presidential Lounge, 2015, exhibition view, Narodny Gallery, Prague

Embodiment, 2015, exhibition view, Catherine Bastide, Brussels

Surround Audience, 2015, exhibition view, New Museum Triennial, New York

Home, 2015, exhibition view, William Arnold, Brooklyn

TC, 2014, exhibition view, Palais de Tokyo, Paris

DOOM: SURFACE Contrôle, 2014, exhibition view, Le Magasin, Grenoble

Dump Shell, 2014, exhibition view, Autocenter, Berlin

Lucky Strike, 2014, exhibition view, Marbriers 4, Geneva

Lucky Strike, exhibition view, Marbriers 4, Geneva, 2014

Pain Corp, 2014, exhibition view, Geographies of Contamination, David Roberts Art Foundation, London

Greed, 2013, exhibition view, MOT International, London
Dead Spel Ho’ Eyes, 2012-2013, HD video 10’14 (excerpt)