The Weavers, 2020, exhibition view, CAC Brétigny, Brétigny sur Orge. © Aurélien Mole
Vanishing Workflows (des fleurs de Singapour), 2019, exhibition view, Crèvecœur, Paris. © Aurélien Mole
La dépense, avec témoins, 2019, exhibition view, Crèvecœur, Marseille. © Jean-Christophe Lett
Vanishing Workflows, 2018, exhibition view, Aloft at Hermès, Singapour.
when « i » met « k », 2017, exhibition view, Crèvecœur, Paris. © Aurélien Mole
Prototype (extended), 2017, detail. © Aurélien Mole
when « i » met « k », 2017, exhibition view, Crèveœur, Paris. © Aurélien Mole
Prototype (approximation), 2017, 29,5 × 21 × 31,5 cm, paint, tape, cardboard, steel, plexiglas, lens photo, tape player. © Aurélien Mole
The Eternal Network, 2016, exhibition view, Spike Island, Bristol
Untitled (The Eternal Network), 70 × 80 × 120 cm, aluminium, plexiglas, ink
Everything that is beautiful is a code for something that is already known, 2015, bronze 3-D print
L+T, 2015, exhibition view, La BF15, Lyon © Aurélien Mole
Or an Epoch of Rest, 2014, exhibition view, ISDAT, Palais des Arts, Toulouse © Aurélien Mole
News from Nowhere, 2014, exhibition view, Maison d’Art Bernard Anthonioz © Aurélien Mole
untitled (Offshore), 2014, exhibition view, Crèvecœur, Paris © Aurélien Mole
untitled (Offshore), 2014, plaster, resin, ink, 19 × 11 × 5 cm
untitled (Offshore), 2014, publication © Aurélien Mole
untitled (Offshore), 2014, inkjet prints, plexiglas, glass, wood, paint, neons, 85 × 125 × 15 cm © Aurélien Mole
Five Conversations, 2012, mixed medium, 38 × 38 × 38 cm (each)
Learning with errors, 2012, exhibition view, Crèvecoeur, Paris © Isabelle Giovacchini
Just in Time, or a Short History of Production
Just in Time, or a Short History of Production, independant publication, 100 copies numbered and signed, 2010
Printing at Home, 2010, riso print, 200 issues numbered, Ditto Press, London