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Xavier Antin

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The Weavers, 2020, exhibition view, CAC Brétigny, Brétigny sur Orge. © Aurélien Mole

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The Weavers, 2020, exhibition view, CAC Brétigny, Brétigny sur Orge. © Aurélien Mole

Xavier Antin - Galerie CrèveCoeur Loading

The Weavers, 2020, exhibition view, CAC Brétigny, Brétigny sur Orge. © Aurélien Mole

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Vanishing Workflows (des fleurs de Singapour), 2019, exhibition view, Crèvecœur, Paris. © Aurélien Mole

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Vanishing Workflows (des fleurs de Singapour), 2019, exhibition view, Crèvecœur, Paris. © Aurélien Mole

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Vanishing Workflows (des fleurs de Singapour), 2019, exhibition view, Crèvecœur, Paris. © Aurélien Mole

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Vanishing Workflows (des fleurs de Singapour), 2019, exhibition view, Crèvecœur, Paris. © Aurélien Mole

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La dépense, avec témoins, 2019, exhibition view, Crèvecœur, Marseille. © Jean-Christophe Lett

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La dépense, avec témoins, 2019, exhibition view, Crèvecœur, Marseille. © Jean-Christophe Lett

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La dépense, avec témoins, 2019, exhibition view, Crèvecœur, Marseille. © Jean-Christophe Lett

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Vanishing Workflows, 2018, exhibition view, Aloft at Hermès, Singapour.

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Vanishing Workflows, 2018, exhibition view, Aloft at Hermès, Singapour.

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when « i » met « k », 2017, exhibition view, Crèvecœur, Paris. © Aurélien Mole

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Prototype (extended), 2017, detail. © Aurélien Mole

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when « i » met « k », 2017, exhibition view, Crèveœur, Paris. © Aurélien Mole

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Prototype (approximation), 2017, 29,5 × 21 × 31,5 cm, paint, tape, cardboard, steel, plexiglas, lens photo, tape player. © Aurélien Mole

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The Eternal Network, 2016, exhibition view, Spike Island, Bristol

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Untitled (The Eternal Network), 70 × 80 × 120 cm, aluminium, plexiglas, ink

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The Eternal Network, 2016, exhibition view, Spike Island, Bristol

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Everything that is beautiful is a code for something that is already known, 2015, bronze 3-D print

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Everything that is beautiful is a code for something that is already known, 2015, bronze 3-D print

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L+T, 2015, exhibition view, La BF15, Lyon © Aurélien Mole

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Or an Epoch of Rest, 2014, exhibition view, ISDAT, Palais des Arts, Toulouse © Aurélien Mole

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Or an Epoch of Rest, 2014, exhibition view, ISDAT, Palais des Arts, Toulouse © Aurélien Mole

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Or an Epoch of Rest, 2014, exhibition view, ISDAT, Palais des Arts, Toulouse © Aurélien Mole

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News from Nowhere, 2014, exhibition view, Maison d’Art Bernard Anthonioz © Aurélien Mole

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News from Nowhere, 2014, exhibition view, Maison d’Art Bernard Anthonioz © Aurélien Mole

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News from Nowhere, 2014, exhibition view, Maison d’Art Bernard Anthonioz © Aurélien Mole

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News from Nowhere, 2014, exhibition view, Maison d’Art Bernard Anthonioz © Aurélien Mole

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untitled (Offshore), 2014, exhibition view, Crèvecœur, Paris © Aurélien Mole

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untitled (Offshore), 2014, plaster, resin, ink, 19 × 11 × 5 cm

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untitled (Offshore), 2014, publication © Aurélien Mole

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untitled (Offshore), 2014, inkjet prints, plexiglas, glass, wood, paint, neons, 85 × 125 × 15 cm © Aurélien Mole

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Five Conversations, 2012, mixed medium, 38 × 38 × 38 cm (each)

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Learning with errors, 2012, exhibition view, Crèvecoeur, Paris © Isabelle Giovacchini

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Just in Time, or a Short History of Production

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Just in Time, or a Short History of Production, independant publication, 100 copies numbered and signed, 2010

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Printing at Home, 2010, riso print, 200 issues numbered, Ditto Press, London

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Printing at Home, 2010, riso print, 200 issues numbered, Ditto Press, London