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Loading Chanson Nouvelle, 2025-2026, exhibition view, Archivio Gribaudo, Turin, Italie
Loading Chanson Nouvelle, 2025-2026, exhibition view, Archivio Gribaudo, Turin, Italie
Loading Chanson Nouvelle, 2025-2026, exhibition view, Archivio Gribaudo, Turin, Italie
Loading Exhibition view, Dissociation, 2025, Crèvecœur, Paris. Courtesy of the artist and Crèvecœur, Paris.
Loading Anne Bourse, Sketch for summer (3), 2025, acrylic glass, adhesive tape, printed paper, handmade fabric, 93 × 72 × 25 cm.
Loading Anne Bourse, Good Ghosts vocals, 2025, acrylic glass, adhesive tape, ink and pencil on wood cardboard, embroidery on blue jeans and Yellow Pages torn paper, canvas, cardboard, 104 × 103 × 65 cm.
Loading Anne Bourse, Good Ghosts vocals, 2025, detail.
Loading Exhibition view, Dissociation, 2025, Crèvecœur, Paris. Courtesy of the artist and Crèvecœur, Paris.
Loading Anne Bourse, Sketch for summer (2), 2025, acrylic glass, adhesive tape, printed paper, handmade fabric, 92 × 72 × 15 cm.
Loading Exhibition view, Dissociation, 2025, Crèvecœur, Paris. Courtesy of the artist and Crèvecœur, Paris.
Loading Anne Bourse, Dissociation (2), 2025, Ballpoint pen on coated paper, 71 × 34 cm.
Loading Anne Bourse, Still queuing outside the H-Club / door bitch troubles (2), 2025, Ballpoint pen on coated paper, 67 × 55 cm
Loading Nuits, exhibition view, MAMC+, Musée d’art moderne et contemporain de Saint-Étienne Métropole, 2024.
Loading Anne Bourse, La fabrication d’une nuit, 2024, Acrylic glass, tinted glass, cardboard, wire, priming canvas, and torn pages from the Yellow Pages, ink and alcohol marker on silk, alcohol marker, miniatures in resin and tinted glass, 193 × 73 × 15 cm
Loading Nuits, exhibition view, MAMC+, Musée d’art moderne et contemporain de Saint-Étienne Métropole, 2024.
Loading Anne Bourse, Around sex o’clock (2), 2024, acrylic glass, adhesive tape, tinted glass, glue, thread, interfacing and torn Yellow Pages papers, 90 × 140 × 50 cm
Loading Anne Bourse, Around sex o’clock (2), 2024, detail.
Loading Nuits, exhibition view, MAMC+, Musée d’art moderne et contemporain de Saint-Étienne Métropole, 2024.
Loading Do You Believe in Ghosts?, exhibition view, 24e Prix Fondation Pernod Ricard, Paris, 2023.
Loading Do You Believe in Ghosts?, exhibition view, 24e Prix Fondation Pernod Ricard, Paris, 2023.
Loading Crying on the Telephone, 2023, ballpoint pen and typex on coated paper, 64,5 × 51,5 cm
Loading Stuck on earth 6, 2023, ballpoint pen on paper, 23 × 27 cm
Loading Old people smoking, exhibition view, Kunsthalle und Kunstmuseum Bremerhaven, 2023. © Fred Dott.
Loading Old people smoking, exhibition view, Kunsthalle und Kunstmuseum Bremerhaven, 2023. © Fred Dott.
Loading Old people smoking, exhibition view, Kunsthalle und Kunstmuseum Bremerhaven, 2023. © Fred Dott.
Loading La fugitive, exhibition view, Le Crédac, 2022. © Marc Domage.
Loading Leghaus Leihaus, exhibition view, Scheusal, 2022. © Mizuki Kin.
Loading Leghaus Leihaus, exhibition view, Scheusal, 2022. © Mizuki Kin.
Loading Gens qui s’éloignent, exhibition view, Galerie Édouard Manet, Gennevilliers, 2022. © Margot Montigny.
Loading Gens qui s’éloignent, exhibition view, Galerie Édouard Manet, Gennevilliers, 2022. © Margot Montigny.
Loading Renaud’s shoes, 2021, ballpoint pen, typex and felt pen on coated paper, cast plexiglass, 32 × 23 cm (35 × 26 × 3 cm framed). © Aurélien Mole.
Loading Stuck on earth (2), 2021, ballpoint pen, typex and felt pen on coated paper, cast plexiglass, 25 × 23 cm (35 × 26 × 3 cm framed). © Yosuke Kojima.
Loading Une minute au-dessus de ma tasse de café je ne pense pas à toi, du tout, 2021, fabric, mirror, alcool pencil, 56 × 40 × 28 cm
Loading Une minute au-dessus de ma tasse de café je ne pense pas à toi, du tout, 2021.
Loading Stupid sun who can’t stop moving, 2021, exhibition view, La Tôlerie, Clermont-Ferrand.
Loading Stupid sun who can’t stop moving, 2021, exhibition view, La Tôlerie, Clermont-Ferrand.
Loading Different times, different Paul, 2021 exhibition view, Crèvecœur, Paris. © Aurélien Mole
Loading Different times, different Paul, 2021, Crèvecœur, Paris. © Aurélien Mole
Loading Just before the lock down lock once again, 2021, pen, felt pen and print on coated paper, alcohol felt pen, plexiglass mirror, plexiglass, 140 × 100 cm. © Aurélien Mole
Loading No shadows in the way, 2021, steel, glycero paint, alcohol marker, ink and pencil on silk, cotton wool, foam, found pillow, 200 × 100 × 12 cm. © Aurélien Mole
Loading Stupid sun who can’t stop moving (for «Brain, a journal of neurology»), 2020, felt pen, typex and ballpoint pen on coated paper, each: 32 × 25 cm. © Aurélien Mole
Loading Intérieur, pluie., 2020, exhibition view, Crèvecœur, Paris. © Aurélien Mole
Loading Intérieur, pluie., 2020, exhibition view, Crèvecœur, Paris. © Aurélien Mole
Loading Stupid sun who can’t stop moving (DesignJailsInYourBed), 2020, felt pen, typex and ballpoint pen on coated paper, 47 × 33 cm. © Aurélien Mole
Loading Stupid sun who can’t stop moving (Leash), 2020, felt pen, ballpoint pen on coated paper, 42 × 30 cm. © Aurélien Mole
Loading Chaque après-midi je me demande ce que tu fais ce soir quand le jour est presque fini, 2019.
Take (a)back the economy, 2019, exhibition view, CACC, Clamart.
Loading Futur, ancien, fugitif, 2019, exhibition view, Palais de Tokyo, Paris. © Aurélien Mole
Loading Chaque après-midi je me demande ce que tu fais ce soir quand le jour est presque fini, 2019, detail. © Aurélien Mole
Loading Futur, ancien, fugitif, 2019, exhibition view, Palais de Tokyo, Paris. © Aurélien Mole
Loading Two or three pillows for Marge getting high on episode 559 and one that I stole from the homeless along the parisian ring road with both pleasure and guilt, 2018.
Solitaire, 2019, exhibition view, Cassandra Cassandra, Toronto.
Loading Hidden Thoughts (another part in the book), 2018.
Solitaire, 2019, exhibition view, Cassandra Cassandra, Toronto.
Loading Hidden thoughts (chatting with Greg, making a sashimi prospectus), 2019.
Poésie Prolétaire, 2019, exhibition view, Fondation Ricard, Paris.
Loading That magazine a friend found in Bangkok a few months ago, 2019.
Pillows, two or three for Marge getting high on episode 559, 2018.
Poésie Prolétaire, 2019, exhibition view, Fondation Ricard, Paris.