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Anne Bourse

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Different times, different Paul, 2021 exhibition view, Crèvecœur, Paris. © Aurélien Mole

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Lever de soleil, coucher de soleil, où je suis en ce moment (2), 2021, ink and pencil on silk, cotton wool, foam, steel, glycero paint, alcohol marker, 192 × 92 × 180 cm. © Aurélien Mole

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Lever de soleil, coucher de soleil, où je suis en ce moment (2), 2021, detail. © Aurélien Mole

Anne Bourse - Galerie CrèveCoeur Loading

Different times, different Paul, 2021, Crèvecœur, Paris. © Aurélien Mole

Anne Bourse - Galerie CrèveCoeur Loading

Different times, different Paul, 2021 exhibition view, Crèvecœur, Paris. © Aurélien Mole

Anne Bourse - Galerie CrèveCoeur Loading

Just before the lock down lock once again, 2021, pen, felt pen and print on coated paper, alcohol felt pen, plexiglass mirror, plexiglass, 140 × 100 cm. © Aurélien Mole

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Just before the lock down lock once again, 2021, detail. © Aurélien Mole

Anne Bourse - Galerie CrèveCoeur Loading

Suddenly realizing that he doesn’t really care if she loves him or loves him not, 2021, pencil, felt pen, print and ink on coated paper, self-adhesive stickers, alcohol felt pen, plexiglass mirror, plexiglass, 140 × 100 cm. © Aurélien Mole

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Suddenly realizing that he doesn’t really care if she loves him or loves him not, 2021, detail. © Aurélien Mole

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No shadows in the way, 2021, steel, glycero paint, alcohol marker, ink and pencil on silk, cotton wool, foam, found pillow, 200 × 100 × 12 cm. © Aurélien Mole

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Ricochette, 2021, exhibition view, Le Berceau, Marseille.

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Ricochette, 2021, exhibition view, Le Berceau, Marseille.

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Ricochette, 2021, exhibition view, Le Berceau, Marseille.

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Stupid sun who can’t stop moving (for «Brain, a journal of neurology»), 2020, felt pen, typex and ballpoint pen on coated paper, each: 32 × 25 cm. © Aurélien Mole

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Intérieur, pluie., 2020, exhibition view, Crèvecœur, Paris. © Aurélien Mole

Anne Bourse - Galerie CrèveCoeur Loading

Intérieur, pluie., 2020, exhibition view, Crèvecœur, Paris. © Aurélien Mole

Anne Bourse - Galerie CrèveCoeur Loading

Stupid sun who can’t stop moving (DesignJailsInYourBed), 2020, felt pen, typex and ballpoint pen on coated paper, 47 × 33 cm. © Aurélien Mole

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Stupid sun who can’t stop moving (LetsClub4Chemins), 2020, felt-tip pen, pencil, typex and ballpoint pen on coated paper, 47 × 32 cm. © Aurélien Mole

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Stupid sun who can’t stop moving (Leash), 2020, felt pen, ballpoint pen on coated paper, 42 × 30 cm. © Aurélien Mole

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Chaque après-midi je me demande ce que tu fais ce soir quand le jour est presque fini, 2019.
Take (a)back the economy, 2019, exhibition view, CACC, Clamart.

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Chaque après-midi je me demande ce que tu fais ce soir quand le jour est presque fini, 2019, detail.

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Futur, ancien, fugitif, 2019, exhibition view, Palais de Tokyo, Paris. © Aurélien Mole

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Chaque après-midi je me demande ce que tu fais ce soir quand le jour est presque fini, 2019, detail. © Aurélien Mole

Anne Bourse - Galerie CrèveCoeur Loading

Futur, ancien, fugitif, 2019, exhibition view, Palais de Tokyo, Paris. © Aurélien Mole

Anne Bourse - Galerie CrèveCoeur Loading

Chaque après-midi je me demande ce que tu fais ce soir quand le jour est presque fini, 2019, detail. © Aurélien Mole

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Two or three pillows for Marge getting high on episode 559 and one that I stole from the homeless along the parisian ring road with both pleasure and guilt, 2018.
Solitaire, 2019, exhibition view, Cassandra Cassandra, Toronto.

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Hidden Thoughts (another part in the book), 2018.
Solitaire, 2019, exhibition view, Cassandra Cassandra, Toronto.

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Hidden thoughts (chatting with Greg, making a sashimi prospectus), 2019.
Poésie Prolétaire, 2019, exhibition view, Fondation Ricard, Paris.

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That magazine a friend found in Bangkok a few months ago, 2019.
Pillows, two or three for Marge getting high on episode 559, 2018.
Poésie Prolétaire, 2019, exhibition view, Fondation Ricard, Paris.