

Old people smoking, exhibition view, Kunsthalle und Kunstmuseum Bremerhaven, 2023. © Fred Dott.

Old people smoking, exhibition view, Kunsthalle und Kunstmuseum Bremerhaven, 2023. © Fred Dott.

Old people smoking, exhibition view, Kunsthalle und Kunstmuseum Bremerhaven, 2023. © Fred Dott.

Old people smoking, exhibition view, Kunsthalle und Kunstmuseum Bremerhaven, 2023. © Fred Dott.

Old people smoking, exhibition view, Kunsthalle und Kunstmuseum Bremerhaven, 2023. © Fred Dott.

Old people smoking, exhibition view, Kunsthalle und Kunstmuseum Bremerhaven, 2023. © Fred Dott.

La fugitive, exhibition view, Le Crédac, 2022. © Marc Domage.

La fugitive, exhibition view, Le Crédac, 2022. © Marc Domage.

Leghaus Leihaus, exhibition view, Scheusal, 2022. © Mizuki Kin.

Leghaus Leihaus, exhibition view, Scheusal, 2022. © Mizuki Kin.

Infortune cookies, exhibition view, Le 19 Crac, 2022. © A. Pichon.

Infortune cookies, exhibition view, Le 19 Crac, 2022. © A. Pichon.

Infortune cookies, exhibition view, Le 19 Crac, 2022. © A. Pichon.

There is a crack in everything. That’s how the light gets in, exhibition view, Martina simeti, 2022. © Andrea Rossetti.

Gens qui s’éloignent, exhibition view, Galerie Édouard Manet, Gennevilliers, 2022. © Margot Montigny.

Gens qui s’éloignent, exhibition view, Galerie Édouard Manet, Gennevilliers, 2022. © Margot Montigny.

Gens qui s’éloignent, exhibition view, Galerie Édouard Manet, Gennevilliers, 2022. © Margot Montigny.

Garçon miroir in mimosa blossom storm, 2022. © Margot Montigny.

Gens qui s’éloignent, exhibition view, Galerie Édouard Manet, Gennevilliers, 2022. © Margot Montigny.

Gute nacht, 2021, exhibition view, curated by Oriane Durand, Braunsfelder, Cologne.

Renaud’s shoes, 2021, ballpoint pen, typex and felt pen on coated paper, cast plexiglass, 32 × 23 cm (35 × 26 × 3 cm framed). © Aurélien Mole.

Stuck on earth (2), 2021, ballpoint pen, typex and felt pen on coated paper, cast plexiglass, 25 × 23 cm (35 × 26 × 3 cm framed). © Yosuke Kojima.

Une minute au-dessus de ma tasse de café je ne pense pas à toi, du tout, 2021, fabric, mirror, alcool pencil, 56 × 40 × 28 cm

Une minute au-dessus de ma tasse de café je ne pense pas à toi, du tout, 2021.

Stupid sun who can’t stop moving, 2021, exhibition view, La Tôlerie, Clermont-Ferrand.

Stupid sun who can’t stop moving, 2021, exhibition view, La Tôlerie, Clermont-Ferrand.

Different times, different Paul, 2021 exhibition view, Crèvecœur, Paris. © Aurélien Mole

Different times, different Paul, 2021, Crèvecœur, Paris. © Aurélien Mole

Different times, different Paul, 2021 exhibition view, Crèvecœur, Paris. © Aurélien Mole

Just before the lock down lock once again, 2021, pen, felt pen and print on coated paper, alcohol felt pen, plexiglass mirror, plexiglass, 140 × 100 cm. © Aurélien Mole

Just before the lock down lock once again, 2021, detail. © Aurélien Mole

No shadows in the way, 2021, steel, glycero paint, alcohol marker, ink and pencil on silk, cotton wool, foam, found pillow, 200 × 100 × 12 cm. © Aurélien Mole

Stupid sun who can’t stop moving (for «Brain, a journal of neurology»), 2020, felt pen, typex and ballpoint pen on coated paper, each: 32 × 25 cm. © Aurélien Mole

Intérieur, pluie., 2020, exhibition view, Crèvecœur, Paris. © Aurélien Mole

Intérieur, pluie., 2020, exhibition view, Crèvecœur, Paris. © Aurélien Mole

Stupid sun who can’t stop moving (DesignJailsInYourBed), 2020, felt pen, typex and ballpoint pen on coated paper, 47 × 33 cm. © Aurélien Mole

Stupid sun who can’t stop moving (LetsClub4Chemins), 2020, felt-tip pen, pencil, typex and ballpoint pen on coated paper, 47 × 32 cm. © Aurélien Mole

Stupid sun who can’t stop moving (Leash), 2020, felt pen, ballpoint pen on coated paper, 42 × 30 cm. © Aurélien Mole

Chaque après-midi je me demande ce que tu fais ce soir quand le jour est presque fini, 2019.
Take (a)back the economy, 2019, exhibition view, CACC, Clamart.

Chaque après-midi je me demande ce que tu fais ce soir quand le jour est presque fini, 2019, detail.

Futur, ancien, fugitif, 2019, exhibition view, Palais de Tokyo, Paris. © Aurélien Mole

Chaque après-midi je me demande ce que tu fais ce soir quand le jour est presque fini, 2019, detail. © Aurélien Mole

Futur, ancien, fugitif, 2019, exhibition view, Palais de Tokyo, Paris. © Aurélien Mole

Chaque après-midi je me demande ce que tu fais ce soir quand le jour est presque fini, 2019, detail. © Aurélien Mole

Two or three pillows for Marge getting high on episode 559 and one that I stole from the homeless along the parisian ring road with both pleasure and guilt, 2018.
Solitaire, 2019, exhibition view, Cassandra Cassandra, Toronto.

Hidden Thoughts (another part in the book), 2018.
Solitaire, 2019, exhibition view, Cassandra Cassandra, Toronto.

Hidden thoughts (chatting with Greg, making a sashimi prospectus), 2019.
Poésie Prolétaire, 2019, exhibition view, Fondation Ricard, Paris.

That magazine a friend found in Bangkok a few months ago, 2019.
Pillows, two or three for Marge getting high on episode 559, 2018.
Poésie Prolétaire, 2019, exhibition view, Fondation Ricard, Paris.