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Anne Bourse

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Gens qui s’éloignent, exhibition view, Galerie Édouard Manet, Gennevilliers, 2022. © Margot Montigny.

Anne Bourse - Galerie CrèveCoeur Loading

Gens qui s’éloignent, exhibition view, Galerie Édouard Manet, Gennevilliers, 2022. © Margot Montigny.

Anne Bourse - Galerie CrèveCoeur Loading

Gens qui s’éloignent, exhibition view, Galerie Édouard Manet, Gennevilliers, 2022. © Margot Montigny.

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Garçon miroir in mimosa blossom storm, 2022. © Margot Montigny.

Anne Bourse - Galerie CrèveCoeur Loading

Gens qui s’éloignent, exhibition view, Galerie Édouard Manet, Gennevilliers, 2022. © Margot Montigny.

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Gute nacht, 2021, exhibition view, curated by Oriane Durand, Braunsfelder, Cologne.

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Renaud’s shoes, 2021, ballpoint pen, typex and felt pen on coated paper, cast plexiglass, 32 × 23 cm (35 × 26 × 3 cm framed). © Aurélien Mole.

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Stuck on earth (2), 2021, ballpoint pen, typex and felt pen on coated paper, cast plexiglass, 25 × 23 cm (35 × 26 × 3 cm framed). © Yosuke Kojima.

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Une minute au-dessus de ma tasse de café je ne pense pas à toi, du tout, 2021, fabric, mirror, alcool pencil, 56 × 40 × 28 cm

Anne Bourse - Galerie CrèveCoeur Loading

Une minute au-dessus de ma tasse de café je ne pense pas à toi, du tout, 2021.

Anne Bourse - Galerie CrèveCoeur Loading

Stupid sun who can’t stop moving, 2021, exhibition view, La Tôlerie, Clermont-Ferrand.

Anne Bourse - Galerie CrèveCoeur Loading

Stupid sun who can’t stop moving, 2021, exhibition view, La Tôlerie, Clermont-Ferrand.

Anne Bourse - Galerie CrèveCoeur Loading

Different times, different Paul, 2021 exhibition view, Crèvecœur, Paris. © Aurélien Mole

Anne Bourse - Galerie CrèveCoeur Loading

Different times, different Paul, 2021, Crèvecœur, Paris. © Aurélien Mole

Anne Bourse - Galerie CrèveCoeur Loading

Different times, different Paul, 2021 exhibition view, Crèvecœur, Paris. © Aurélien Mole

Anne Bourse - Galerie CrèveCoeur Loading

Just before the lock down lock once again, 2021, pen, felt pen and print on coated paper, alcohol felt pen, plexiglass mirror, plexiglass, 140 × 100 cm. © Aurélien Mole

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Just before the lock down lock once again, 2021, detail. © Aurélien Mole

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No shadows in the way, 2021, steel, glycero paint, alcohol marker, ink and pencil on silk, cotton wool, foam, found pillow, 200 × 100 × 12 cm. © Aurélien Mole

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Stupid sun who can’t stop moving (for «Brain, a journal of neurology»), 2020, felt pen, typex and ballpoint pen on coated paper, each: 32 × 25 cm. © Aurélien Mole

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Intérieur, pluie., 2020, exhibition view, Crèvecœur, Paris. © Aurélien Mole

Anne Bourse - Galerie CrèveCoeur Loading

Intérieur, pluie., 2020, exhibition view, Crèvecœur, Paris. © Aurélien Mole

Anne Bourse - Galerie CrèveCoeur Loading

Stupid sun who can’t stop moving (DesignJailsInYourBed), 2020, felt pen, typex and ballpoint pen on coated paper, 47 × 33 cm. © Aurélien Mole

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Stupid sun who can’t stop moving (LetsClub4Chemins), 2020, felt-tip pen, pencil, typex and ballpoint pen on coated paper, 47 × 32 cm. © Aurélien Mole

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Stupid sun who can’t stop moving (Leash), 2020, felt pen, ballpoint pen on coated paper, 42 × 30 cm. © Aurélien Mole

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Chaque après-midi je me demande ce que tu fais ce soir quand le jour est presque fini, 2019.
Take (a)back the economy, 2019, exhibition view, CACC, Clamart.

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Chaque après-midi je me demande ce que tu fais ce soir quand le jour est presque fini, 2019, detail.

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Futur, ancien, fugitif, 2019, exhibition view, Palais de Tokyo, Paris. © Aurélien Mole

Anne Bourse - Galerie CrèveCoeur Loading

Chaque après-midi je me demande ce que tu fais ce soir quand le jour est presque fini, 2019, detail. © Aurélien Mole

Anne Bourse - Galerie CrèveCoeur Loading

Futur, ancien, fugitif, 2019, exhibition view, Palais de Tokyo, Paris. © Aurélien Mole

Anne Bourse - Galerie CrèveCoeur Loading

Chaque après-midi je me demande ce que tu fais ce soir quand le jour est presque fini, 2019, detail. © Aurélien Mole

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Two or three pillows for Marge getting high on episode 559 and one that I stole from the homeless along the parisian ring road with both pleasure and guilt, 2018.
Solitaire, 2019, exhibition view, Cassandra Cassandra, Toronto.

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Hidden Thoughts (another part in the book), 2018.
Solitaire, 2019, exhibition view, Cassandra Cassandra, Toronto.

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Hidden thoughts (chatting with Greg, making a sashimi prospectus), 2019.
Poésie Prolétaire, 2019, exhibition view, Fondation Ricard, Paris.

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That magazine a friend found in Bangkok a few months ago, 2019.
Pillows, two or three for Marge getting high on episode 559, 2018.
Poésie Prolétaire, 2019, exhibition view, Fondation Ricard, Paris.