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Nuits, exhibition view, MAMC+, Musée d’art moderne et contemporain de Saint-Étienne Métropole, 2024.
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Anne Bourse, La fabrication d’une nuit, 2024, Acrylic glass, tinted glass, cardboard, wire, priming canvas, and torn pages from the Yellow Pages, ink and alcohol marker on silk, alcohol marker, miniatures in resin and tinted glass, 193 × 73 × 15 cm
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Nuits, exhibition view, MAMC+, Musée d’art moderne et contemporain de Saint-Étienne Métropole, 2024.
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Nuits, exhibition view, MAMC+, Musée d’art moderne et contemporain de Saint-Étienne Métropole, 2024.
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Do You Believe in Ghosts?, exhibition view, 24e Prix Fondation Pernod Ricard, Paris, 2023.
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Do You Believe in Ghosts?, exhibition view, 24e Prix Fondation Pernod Ricard, Paris, 2023.
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Crying on the Telephone, 2023, ballpoint pen and typex on coated paper, 64,5 × 51,5 cm
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Stuck on earth 6, 2023, ballpoint pen on paper, 23 × 27 cm
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Old people smoking, exhibition view, Kunsthalle und Kunstmuseum Bremerhaven, 2023. © Fred Dott.
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Old people smoking, exhibition view, Kunsthalle und Kunstmuseum Bremerhaven, 2023. © Fred Dott.
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Old people smoking, exhibition view, Kunsthalle und Kunstmuseum Bremerhaven, 2023. © Fred Dott.
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La fugitive, exhibition view, Le Crédac, 2022. © Marc Domage.
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Leghaus Leihaus, exhibition view, Scheusal, 2022. © Mizuki Kin.
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Leghaus Leihaus, exhibition view, Scheusal, 2022. © Mizuki Kin.
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Gens qui s’éloignent, exhibition view, Galerie Édouard Manet, Gennevilliers, 2022. © Margot Montigny.
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Gens qui s’éloignent, exhibition view, Galerie Édouard Manet, Gennevilliers, 2022. © Margot Montigny.
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Renaud’s shoes, 2021, ballpoint pen, typex and felt pen on coated paper, cast plexiglass, 32 × 23 cm (35 × 26 × 3 cm framed). © Aurélien Mole.
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Stuck on earth (2), 2021, ballpoint pen, typex and felt pen on coated paper, cast plexiglass, 25 × 23 cm (35 × 26 × 3 cm framed). © Yosuke Kojima.
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Une minute au-dessus de ma tasse de café je ne pense pas à toi, du tout, 2021, fabric, mirror, alcool pencil, 56 × 40 × 28 cm
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Une minute au-dessus de ma tasse de café je ne pense pas à toi, du tout, 2021.
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Stupid sun who can’t stop moving, 2021, exhibition view, La Tôlerie, Clermont-Ferrand.
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Stupid sun who can’t stop moving, 2021, exhibition view, La Tôlerie, Clermont-Ferrand.
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Different times, different Paul, 2021 exhibition view, Crèvecœur, Paris. © Aurélien Mole
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Different times, different Paul, 2021, Crèvecœur, Paris. © Aurélien Mole
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Just before the lock down lock once again, 2021, pen, felt pen and print on coated paper, alcohol felt pen, plexiglass mirror, plexiglass, 140 × 100 cm. © Aurélien Mole
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No shadows in the way, 2021, steel, glycero paint, alcohol marker, ink and pencil on silk, cotton wool, foam, found pillow, 200 × 100 × 12 cm. © Aurélien Mole
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Stupid sun who can’t stop moving (for «Brain, a journal of neurology»), 2020, felt pen, typex and ballpoint pen on coated paper, each: 32 × 25 cm. © Aurélien Mole
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Intérieur, pluie., 2020, exhibition view, Crèvecœur, Paris. © Aurélien Mole
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Intérieur, pluie., 2020, exhibition view, Crèvecœur, Paris. © Aurélien Mole
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Stupid sun who can’t stop moving (DesignJailsInYourBed), 2020, felt pen, typex and ballpoint pen on coated paper, 47 × 33 cm. © Aurélien Mole
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Stupid sun who can’t stop moving (Leash), 2020, felt pen, ballpoint pen on coated paper, 42 × 30 cm. © Aurélien Mole
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Chaque après-midi je me demande ce que tu fais ce soir quand le jour est presque fini, 2019.
Take (a)back the economy, 2019, exhibition view, CACC, Clamart.
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Futur, ancien, fugitif, 2019, exhibition view, Palais de Tokyo, Paris. © Aurélien Mole
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Chaque après-midi je me demande ce que tu fais ce soir quand le jour est presque fini, 2019, detail. © Aurélien Mole
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Futur, ancien, fugitif, 2019, exhibition view, Palais de Tokyo, Paris. © Aurélien Mole
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Two or three pillows for Marge getting high on episode 559 and one that I stole from the homeless along the parisian ring road with both pleasure and guilt, 2018.
Solitaire, 2019, exhibition view, Cassandra Cassandra, Toronto.
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Hidden Thoughts (another part in the book), 2018.
Solitaire, 2019, exhibition view, Cassandra Cassandra, Toronto.
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Hidden thoughts (chatting with Greg, making a sashimi prospectus), 2019.
Poésie Prolétaire, 2019, exhibition view, Fondation Ricard, Paris.
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That magazine a friend found in Bangkok a few months ago, 2019.
Pillows, two or three for Marge getting high on episode 559, 2018.
Poésie Prolétaire, 2019, exhibition view, Fondation Ricard, Paris.