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Ensemble contre orgue de barbarie, 2023, exhibition view, la vitrine, le plateau frac île de france, Paris.
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Ensemble contre orgue de barbarie, 2023, exhibition view, la vitrine, le plateau frac île de france, Paris.
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Ensemble contre orgue de barbarie, 2023, exhibition view, la vitrine, le plateau frac île de france, Paris.
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Barbe à Papa, 2022, exhibition view, Capc Musée d’art contemporain de Bordeaux. Photo: Arthur Péquin
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Barbe à Papa, 2022, exhibition view, Capc Musée d’art contemporain de Bordeaux. Photo: Arthur Péquin
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Autoportrait poulet, 2021, exhibition view, École supérieure d’art et design, Grenoble.
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Autoportrait poulet, 2021, exhibition view, École supérieure d’art et design, Grenoble.
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75 rue du Faubourg Saint Antoine, 2021, lime wood, beech, wood tint, varnish, 100 × 100 × 3 cm.
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Le travesti, 2021, lime wood, beech, wood tint, varnish, 100 × 100 × 3 cm.
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Le travesti, 2021, lime wood, beech, wood tint, varnish, 100 × 100 × 3 cm.
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Autoportrait poulet, 2021, exhibition view, École supérieure d’art et design, Grenoble.
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PORTRAITURE ONE CENTURY APART, 2021, exhibition view, Massimo de Carlo, London.
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Your portrait in 5 minutes, 2021, lime wood, wood tint, acrylic, varnish, 160 × 110 × 5 cm.
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The book ends, 2021, Crèvecœur, Paris.
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The book ends, 2021, Crèvecœur, Paris.
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The book ends, 2021, Crèvecœur, Paris.
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Cop in a book shop, 2021, linden wood, aquatint, acrylic, 66 × 106 cm.
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The book ends, 2021, Crèvecœur, Paris.
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Forever again, 2021, linden wood, aquatint, acrylic, 66 × 106 cm.
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Mime, 2020, La Criée centre d’art contemporain, Rennes. © Benoît Mauras
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Mathis Collins, Bicornes (stand de tir), 2020, Lime wood, tint, motor, 200 × 360 × 6 cm. © Benoît Mauras
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Mathis Collins, Artiste policier quittant Paris, Artiste policier et le Guignol’s Band, Artiste policier contre Poulbot, 2020 Lime wood, tint, 200 × 360 × 3 cm. © Benoît Mauras
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Mime, 2020, La Criée centre d’art contemporain, Rennes. © Benoît Mauras
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Mathis Collins, Artiste policier quittant Paris, Artiste policier et le Guignol’s Band, Artiste policier contre Poulbot, 2020, Lime wood, tint, 200 × 360 × 3 cm. © Benoît Mauras
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Mathis Collins, Artiste policier quittant Paris, Artiste policier et le Guignol’s Band, Artiste policier contre Poulbot, 2020 Lime wood, tint, 200 × 360 × 3 cm. © Benoît Mauras
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Bar-None, 2020, exhibition view, 15orient, New York.
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Bar-None, 2020, exhibition view, 15orient, New York.
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Bar-None, 2020, exhibition view, 15orient, New York.
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Bar-None, 2020, exhibition view, 15orient, New York.
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La vie des tables, exhibition view, Crédac, Ivry-sur-Seine. © Marc Domage
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Le buveur d’absinthe, 2020, lime wood, pigments, 90 × 54,5 cm
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Bravo, vraiment vous faites un très beau métier, 2019, lime tree wood, tint, vernish, 150 × 110 cm
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Une tragédie aux dépens de l’ordre public, 2019, lime tree wood, tint, vernish, 150 × 110 cm
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Deux critiques sur le boulevard du crime, 2019, lime tree wood, tint, vernish, 150 × 110 cm
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Boulevard du crime, 2019, exhibition view, Crèvecœur, Paris.
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Lune de sang et jambe de bois, 2019, French wood, water stain, varnish, 39 × 38 cm
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Aux portes du pénitencier (House of the Rising Sun), 2019, Swiss wood, wood tint, varnish, 26 × 24 cm
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Votre conseiller vous a envoyé un message, 2019, French wood, wood tint, varnish, 32 × 29 cm
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La Maison des artistes, 2019, exhibition view, Crèvecœur, Marseille.
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La Maison des artistes, 2019, exhibition view, Crèvecœur, Marseille.
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Futomomo, 2019, exhibition view, CAC Bretigny, Brétigny sur Orge.
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L’Étincelle and it’s students, 2017-2019, steel, copper, brass, glitter, ceramic, 3D printed parts, wax Parisian café table produced in collaboration with the students of the Varzy blacksmith school, 70 ×70 ×70cm
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L’Étincelle and it’s students, détail.
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L’Étincelle, 2018, performance, Paris. © Julien Goniche
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L’Étincelle, 2018, performance, Paris. © Julien Goniche
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The Weather Outside, 2018, exhibition view, Freedman Fitzpatrick Gallery, Paris.
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Éducateur, 2018, exhibition view, Longtang, Zurich.
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Éducateur, 2018, exhibition view, Longtang, Zurich.
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Éducateur, 2018, exhibition view, Longtang, Zurich.
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Running Joke (right), 2018, leather clown shoes, socks, plastic bones, 120 × 120 cm
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Me, Myself and I, 2018, mixed materials, 50 × 30 × 20 cm
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Dry French, 2015, exhibition view, Palais de Tokyo, Paris.
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Dry French, 2015, exhibition view, Palais de Tokyo, Paris.
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Dry French, 2015, exhibition view, Palais de Tokyo, Paris.