| Born in 1986 | |
| Lives and works in Paris (FR) |
Education
| 2015 | Open School East, London (GB) |
| 2010 | École Supérieure d’Art de Lorraine, Metz (FR) |
| 2008 | Concordia University, Montreal (CA) |
| 2004 | École Nationale Supérieure d’Arts Paris-Cergy, Cergy (FR) |
Solo and Duo Exhibitions
| 2025 | Frac Occitanie Montpellier (FR) |
| 2024 | »Art-Thérapie », La Rose, Marseille (FR) |
| A few workshops, Cittipunkt, Berlin (DE) | |
| 2023 | Ensemble contre orgue de barbarie, la vitrine, le plateau frac île de france, Paris (FR) |
| Le souffle continu, Maison des Arts Georges et Claude Pompidou, Cajarc (FR) | |
| 2021 | The book ends, Crèvecœur, Paris (FR) |
| Autoportrait poulet, École Supérieure d’Art et Design, Grenoble (FR) | |
| 2020 | Mime, La Criée Centre d’Art Contemporain, Rennes (FR) |
| Bar-None, 15orient, New York (US) | |
| 2019 | Boulevard du crime, Crèvecœur, Paris (FR) |
| La Maison des Artistes, Crèvecœur, Marseille (FR) | |
| 2018 | Éducateur, Longtang, Zurich (CH) |
| 2017 | Paris Capitale de l’Amour, with Mathilde Ganancia, Palette Terre, Paris (FR) |
| 2016 | Wet French 1 & 2, Galerie Lévi.Delval, Bruxelles (BE) |
| 2015 | Dry French, Palais de Tokyo, Fondation Yves Saint-Laurent et Pierre Bergé, Paris (FR) |
| SAKÉ, Maladie d’amour,, curated by Lili Reynaud Dewar, Grenoble (FR) | |
| 2012 | Bark, 1m3, Lausanne (CH) |
| 2011 | New works with cork, PSM, Berlin (DE) |
| 2009 | Black Eye, 6th Photography Biennale, Poznan (PL) |
| Il n’y a qu’une scène il faut donc la partager, L’oeil de Poisson, Québec (CA) |
Group Exhibitions
| 2024 | FoRTE#6, Frac Île-de-France, les Réserves (FR), Romainville (FR) |
| 2023 | 40 ans du Frac! Gunaikeîon, Frac Île-de-France, les Réserves & Fondation Fiminco, Romainville (FR) |
| Triennale ART & INDUSTRIE, Frac Grand Large, Dunkerque (FR) | |
| 2022 | Barbe à Papa, CAPC, Bordeaux (FR) |
| Sors de ta réserve, Frac Île-de-France, Paris (FR) | |
| En haut de l’affiche, Frac Grand Large, Dunkerque (FR) | |
| 2021 | Still time, Fitzpatrick Gallery, Paris (FR) |
| PORTRAITURE ONE CENTURY APART, Massimo de Carlo, London (GB) | |
| 2020 | Auguri, Cocotte, Treignac (FR) |
| La vie des tables, Festival d’Automne à Paris, Crédac, Ivry-sur-Seine (FR) | |
| Intérieur, pluie., Crèvecœur, Paris (FR) | |
| Your friends and neighbors, High Art, Paris (FR) | |
| Street trash, Friche la Belle de Mai, Marseille (FR) | |
| 2019 | 10ème Prix Sciences-Po pour l’art contemporain, Paris (FR) |
| 2018 | The Weather Outside, Freedman Fitzpatrick, Paris (FR) |
| Verlörung, curated section of the Art Berlin Fair by Tenzing Barshee, Berlin (DE) | |
| Bad Juju, New Galerie, curated by Exo Exo, Paris (FR) | |
| Sunglasses, Sundogs, Paris (FR) | |
| 2017 | Adult World, curated by Exo Exo, Clearview, London (GB) |
| Otherwise and Beyond, Levy-Delval Gallery, Brussels (BE) | |
| Il Futuro Era Bellissimo Per Noi, curated by 63/77 STEPS, Cité internationale des arts, Paris (FR) | |
| 2016 | RUN RUN RUN, curated by Tank, Villa Arson, Nice (FR) |
| A Thousand Friends, curated by Exo Exo, New Jörg, Vienna (AT) | |
| Carogna, Rijks Akademy, Amsterdam (NL) | |
| Highway Raven, Diesel Projects Space, Liège (BE) | |
| 2015 | Blocked, curated by Jesse Stecklow, Martos Gallery, Los Angeles (US) |
| Cookie Gate, Ellis King Gallery, Dublin (IE) | |
| Inside China, K11 Foundation, Hong-Kong (HK) | |
| Do Disturb, curated by Vittoria Matarresse, Palais de Tokyo, Paris (FR) | |
| Paramount Ranch Art Fair, curated by Shanaynay, Los Angeles (US) | |
| 2014 | Performance Proletarians, CNAC Le Magasin, Grenoble (FR) |
| 2013 | Les Référents, curated by Aurélien Mole and Etienne Bernard, École d’Art Municipale Édouard Manet, Gennevilliers (FR) |
| 2010 | L’idiotie, curated by Fanny Gonella, Institute of Social Hypocrisy, Paris (FR) |
| Dynasty, with Cyril Verde, Palais de Tokyo, Paris (FR) et Musée d’Art Moderne de la Ville de Paris, Paris (FR) |
Public projects and performances
| 2023 | ENSEMBLE CONTRE ORGUE DE BARBARIE, Frac Île-de-France, les Réserves - Nuit Blanche, Romainville (FR) |
| 2021 | Le Jeu du massacre, Le jour des tableaux vivants, Centre Pompidou, Paris (FR) |
| 2020 | Brétigny-sur-terrasse, CAC Bretigny, Brétigny-sur-Orge (FR) |
| Les carnavalesques, a proposal by Julia Marchand, Centre Pompidou, Paris (FR) | |
| 2019 | Clash-Boule et le Passe-Boule des Maboules, Fondation Lafayette Anticipations, Paris (FR) |
| Futomomo, CAC Bretigny, Brétigny-sur-Orge (FR) | |
| 2017 | Subpoema, with Pascaline Morincôme, Treize, Paris Internationale, Paris (FR) |
| The Grant Application Crisis Show, with Pascaline Morincôme and Treize, Kunstvlaai, Amsterdam (NL) | |
| 2014 | Mad World Good World Strange World, CNEAI=, Châtou (FR) |
| What tells Solitude, curated by Elena Lydia Scipioni and Art-O-Rama Friche Belle de mai, Marseille (FR) | |
| 2013 | The Cork Harvest Carnival, Cork Museum, Palafrugell (ES) |
Residencies
| 2018/19 | Lafayette Anticipations, Paris (FR) |
| 2015 | Open School East, London (GB) |
| 2014 | La Start Up, Atelier des Arques, Les Arques (FR) |
| 2013 | Triangle France, Marseille (FR) |
| 2011 | BABA, Paris (FR) |
Prizes
| 2011 | Winner of the Prix Robert Schuman for contemporary art, Luxemburg (LU) |
Public collections
| Frac Occitanie Montpellier (FR) | |
| Capc musée d’art contemporain, Bordeaux (FR) | |
| Fonds d’art contemporain - Paris Collections, Paris (FR) | |
| Frac Nouvelle-Aquitaine MÉCA (FR) | |
| Centre National des Arts Plastiques (CNAP) (FR) | |
| Frac Grand Large (FR) | |
| Frac Île-de-France (FR) |