Than Hussein Clark
What if every step is a step towards Tahiti ?
His Leftover Heart (Pauly et Cie), 2018, exhibition view, Crèvecœur, Marseille. © Mark Blower
Mauresque Screen (Master Hacky Returns From the Casino), 2018, reclaimed yacht timber, cracked gesso, canvas, flash, aluminium, 365 × 20 × 250 cm (each panel: 20 × 27 × 250 cm). © Mark Blower
Mauresque Screen (Master Hacky Returns From the Casino), 2018, other view. © Mark Blower
Prompt Book (His Leftover Heart) with Obelisk Writer’s Desk, 2018, hand embossed linen, tulipwood, Carolina pine veneer, silver gilding wax, enamel, steel, 180 × 69,5 × 104 cm. © Mark Blower
Meat Rack (Napoleonic Manager, Hanseatic Manager), 2018, steel, enamel, Chauvigny stone, tulipwood, béton ciré. © Mark Blower
Meat Rack (Napoleonic Manager, Hanseatic Manager), 2018, detail. © Mark Blower
Theatrical Flats for A Constant Wife at the Maison Guerlain, 2018, aluminium, enamel, felt, theatrical scrim, variable dimensions (each panel: 80 × 5 × 270 cm). © Mark Blower
Cancellation Exhibition Poster (1906), 2018, 1906 Marseille colonial exhibition posters, enamel, 130 × 31 cm (each: 43 × 31 × 3 cm). © Mark Blower
Part Time Crook and Artist’s Model: Strickland’s Razor, 2018, hand carved alabaster, steel, Venetian graphite plaster, 23 × 23 × 92 cm. © Mark Blower
Blank Kensington Shaving Mirror (Love is the Devil), 2018, steel, enamel, Chauvigny, French stone, wax, alabaster, 220 × 92 × 65 cm. © Mark Blower
Jean Bourgoin Table Lamp in the Style of Diego Giacometti (Eight Loving Arms), 2018, cast plaster, Venetian graphite plaster, Majorelle blue pigment, porcelain light bulb, 16 × 17,5 × 230 cm. © Mark Blower
Jean Bourgoin Table Lamp in the Style of Diego Giacometti (Eight Loving Arms), 2018, detail. © Mark Blower
Jean Bourgoin Table Lamp in the Style of Diego Giacometti (Rue de la Roze), 2018, cast Plaster, Venetian Graphite Plaster, Majorelle Blue pigment, porcelain light bulb, 16 × 17,5 × 230 cm. © Mark Blower
Jean Bourgoin Table Lamp in the Style of Diego Giacometti (Rue de la Roze), 2018, detail. © Mark Blower
Theatrical Flats for Liza of Lambeth in the Bedroom of Adolf Loos, 2018, felt, theatrical scrim, feather boas, aluminium, enamel, variable dimensions (each panel: 80 × 5 × 270 cm). © Mark Blower
Client Dress Form A, 2018, steel, enamel, earthenware, chalk. © Mark Blower
Client Dress Form D, 2018, steel, enamel, earthenware, chalk. © Mark Blower
Client Dress Form A, 2018, detail. © Mark Blower
Mrs Maugham or The Pickled Waitress, 2018, Edwardian rococo chair, steel, resin, 250 × 92 × 160 cm. © Mark Blower
Mrs Maugham or The Pickled Waitress, 2018, detail. © Mark Blower
Blank Kensington Medicine Cabinet (Portrait of Madame Bovary as a Young Man), 2018, steel, enamel, cracked gesso, acrylic, first edition Madame Bovary, 187,5 × 48 × 15 cm. © Mark Blower
Blank Kensington Medicine Cabinet (Portrait of Madame Bovary as a Young Man), 2018, detail. © Mark Blower
Powder Room Panelling (Midsummer Night at the Château Pastré), 2018, acid etched mirror, tulipwood, Carolina pine veneer, silver gilding wax, 242 × 430 cm. © Mark Blower
Sleeping Fish Boxes 1-6 (Master Hacky Ready for Transport), 2018, concrete, silicone, flight case, enamel, variable dimensions. © Mark Blower
Than Hussein Clark, Sleeping Fish Boxes 1-6 (Master Hacky Ready for Transport), 2018, detail. © Mark Blower
White Russian Book of Hours (At the Grand Café Turc) with Kensington Display Table, 2018, hand bound artist’s book, steel, acrylic, enamel, Chauvigny stone. © Mark Blower
White Russian Book of Hours (At the Grand Café Turc) with Kensington Display Table, 2018, detail. © Mark Blower
Fan Mail or A Life Insurance Policy, 2018, polaroid’s, stationary, acrylic, peacock feather. © Mark Blower