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Jason Matthew Lee

GLOBALHELL

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GLOBALHELL, 2015, exhibition view, Crèvecœur, Marseille. © Aurélien Mole

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GLOBALHELL, 2015, exhibition view, Crèvecœur, Marseille. © Aurélien Mole

GLOBALHELL - Galerie CrèveCoeur Loading

GLOBALHELL, 2015, exhibition view, Crèvecœur, Marseille. © Aurélien Mole

GLOBALHELL - Galerie CrèveCoeur Loading

GLOBALHELL, 2015, exhibition view, Crèvecœur, Marseille. © Aurélien Mole

GLOBALHELL - Galerie CrèveCoeur Loading

GLOBALHELL, 2015, exhibition view, Crèvecœur, Marseille. © Aurélien Mole

GLOBALHELL - Galerie CrèveCoeur Loading

MostHateD, 2015, layered direct to substrate print, acetone inkjet, and security sticker on canvas, 182 × 137 cm. © Aurélien Mole

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TMDG aka The World’s Most Dangerous Goblin, aka Fordmadoxfraud, aka «The debilitating rabies carrier», 2015, layered direct to substrate print, acetone inkjet, and security sticker on canvas, 182 × 137 cm. © Aurélien Mole

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TMDG aka The World’s Most Dangerous Goblin, aka Fordmadoxfraud, aka «The debilitating rabies carrier», 2015, detail. © Aurélien Mole

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Egodeath, 2015, layered direct to substrate print, acetone inkjet, and security sticker on canvas, 182 × 137 cm. © Aurélien Mole

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Egodeath, 2015, detail. © Aurélien Mole

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Zyklon, 2015, detail. © Aurélien Mole

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GLOBALHELL, 2015, exhibition view, Crèvecœur, Marseille. © Aurélien Mole

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BRUTEFORCEPHREAK:farceurh, 2015, payphone, spraypaint, 114 × 20 × 19 cm. © Aurélien Mole

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BRUTEFORCEPHREAK:farceurh, 2015, payphone, spraypaint, 114 × 20 × 19 cm. © Aurélien Mole

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BRUTEFORCEPHREAK:suicidal, 2015, payphone, cellular phone, 78 × 19 × 24 cm. © Aurélien Mole

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BRUTEFORCEPHREAK:suicidal, 2015, payphone, cellular phone, 78 × 19 × 24 cm. © Aurélien Mole

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BRUTEFORCEPHREAK:suicidal, 2015, payphone, cellular phone, 78 × 19 × 24 cm. © Aurélien Mole

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BRUTEFORCEPHREAK:suicidal, 2015, detail © Aurélien Mole

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BRUTEFORCEPHREAK:0d, 2015, payphone, circle saw, trap, 232 × 20 × 19 cm. © Aurélien Mole

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BRUTEFORCEPHREAK:0d, 2015, payphone, circle saw, trap, 232 × 20 × 19 cm. © Aurélien Mole

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BRUTEFORCEPHREAK:0d, 2015, detail. © Aurélien Mole