| 2023 | Sensing Painting. Works from the Art Collection of the Fondazione CRC, Castello di Rivoli, Rivoli (IT) |
| 40 ans du Frac! Gunaikeîon, Frac Île-de-France, les Réserves & Fondation Fiminco, Romainville (FR) |
| House of Dreamers, Villa Empain, Bruxelles (BE) |
| Body Poetics, GIANT, Bournemouth (UK) |
| Léon Wuidar, une peinture à géométrie variable, Bonisson Art Center, Rognes (FR) |
| 2022 | Mumbai Urban Art Festival, Mumbai (IN) |
| EXTASE DE L‘ABÎME, Le Quai - Società delle Api, Monaco (MC) |
| The Condition of Being Addressable, Institute of Contemporary Art, Los Angeles (US) |
| Mis-Shapes, Tiger Strikes Asteroid, New York (US) |
| Where Jellyfish Come From, Antenna Space, Shanghai (CHI) |
| 2021 | New Time: Art and Feminisms in the 21st Century, curated by Apsara DiQuinzio, Berkeley Art Museum and Pacific Film Archive (US) |
| L’INCONTRO, curated by Cristiano Raimondi, Le Quai, Monte Carlo (MC) |
| The Prophetic Pictures, Crèvecœur, Paris (FR) |
| PORTALS, NEON, former Public Tobacco Factory, Athens (GR) |
| Minds Rising, Spirits Tuning, curated by Defne Ayas and Natasha Ginwala, 13th Gwangju Biennial, Gwangju (KR) |
| Bauhaus: Utopia in Crisis, NOVA art space, Bauhaus University Weimar, Weimar (DE) |
| 2020 | Module II, Kinderhook & Caracas, Berlin (DE) |
| Institute of Contemporary Art, Los Angeles (US) |
| More, More, More, curated by Passing Fancy (X Zhu-Nowell and Frederick Cruz Nowell), with Elise Armani, TANK Shanghai, Shanghai (CN) |
| Construction House, curated by Jamilee Lacy, Hunt-Cavanagh Gallery, Providence (US) |
| Olev Subbi: Open Landscape, curated by Àngels Miralda, Tallinn Art Hall, Tallinn (EE) |
| Duo project with Zadie Xa, Galería Agustina Ferreyra, México (MX) |
| Prismes, Frac des Pays de la Loire, Carquefou (FR) |
| Restons Unis : Emmanuel, Perrotin, Paris (FR) |
| A Cat May Look On A Queen, The Green Gallery, Milwaukee (US) |
| 2019 | Construction House: Heather Rowe & Ad Minoliti, Providence College—Galleries, Chicago (US) |
| Still I Rise: Feminisms, Gender, Resistance 2, De La Warr Pavilion, Bexhill (GB) |
| May You Live in Interesting Times, curated by Ralph Rugoff, 58th International Art Exhibition - La Biennale di Venezia, Venice (IT) |
| Forget Sorrow Grass: An Archaeology of Feminine Time, Times Museum, Guangdong (CN) |
| Kiss My Genders, Southbank Centre, London (GB) |
| Margins of Ten, Nogueras Blanchard, Barcelona (ES) |
| 2018 | Still I Rise: Feminisms, Gender, Resistance, Nottingham Contemporary, Nottingham (GB) |
| La Cabeza Mató a Todos, Galería Agustina Ferreyra, Mexico City (MX) |
| Strange Messengers, Peres Projects, Berlin (DE) |
| Drawings, 650mah, London (UK) |
| Front, Cleveland Triennial for Contemporary Art (US) |
| Science Window, Kayokoyuki gallery, Tokyo (JP) |
| Abris secrets Construire des espaces, Frac des Pays de la Loire, Carquefou (FR) |
| 2017 | Ad Minoliti, Aleksandra Domanović, DIS, Lynn Hershman Leeson, Vikky Alexander, Wang Newone, Project Native Informant, London (UK) |
| Café Kunsthalle, Baden Baden (DE) |
| O! Watt up, de Watteau et du Théâtre, Maison d’Art Bernard Anthonioz, Nogent-sur-Marne (FR) |
| pintorAs, Galeria Ruby, Buenos Aires (AR) |
| The Second Self, Peres Projects, Berlin (DE) |
| Better than the Real, Disjecta, Portland (US) |
| Art Basel Miami Beach, Nova Sector, w. Crèvecoeur (US) |
| Liste, Basel, w. Galeria Agustina Ferreyra (CH) |
| ARCO, Madrid, w. Crèvecoeur (ES) |
| 2016 | Schools of Art vol. V What Matters? ¿Qué cuenta? Was zählt?, Oktogon der HfBK, Georg-Treu-Platz, Dresden (DE) |
| Journal d’un travailleur métèque du futur, Ateliers Internationaux, FRAC Pays de la Loire (FR) |
| Zootopía, UV Studios, Buenos Aires (AR) |
| Cathedrals of Consumption, Spinello Projects, Miami (US) |
| Elysian Redux, Asya Geisberg Gallery, New York (US) |
| Rainbow Caravan, Aichi Triennale, Japan (JP) |
| Otros Lugares Comunes, IMPAKTO Gallery, Lima (PE) |
| 2015 | Species, Crèvecoeur, Paris (FR) |
| The Vault screening, SPACES Gallery, Cleveland (US) |
| In, out and between, Nube Gallery, Santa Cruz (US) |
| 10 Bienal del Mercosur Mensajes de una nueva América, Porto Alegre (BR) |
| Cookie Gate, Ellis King Gallery, Dublin (IE) |
| My Buenos Aires, La Maison Rouge, Paris (FR) |
| The kiss in the mirror, San Martin Cultural Center, Buenos Aires (AR) |
| Experiências Pictóricas, Oscar Cruz Gallery, Sao Paulo (BR) |
| Monumento, Mite Gallery, Buenos Aires (AR) |
| Unión de Jevas Autónomas, Casa de Cultura Ruth Hernández Torres, Puerto Rico (PR) |
| V, curated by Carmen Ferreyra, Artemisa Gallery, New York (US) |
| Colección La Ene & GIM, curator Gaby Cepeda, Sala L.M.Quesada Garland, Lima (PR) |
| Colección La Ene, Art Dubai, Dubai (AE) |
| The white lodge, Material Art Fair, Mexico (MX) |
| Profil perdu, Gallery MC, New York (US) |
| Ways of something, curated by Lorna Mills, Embassy of Canada, Berlin (DE) |
| X+1, Museum of Contemporary Art, Montreal (CA) |
| 2014 | Rare occupations, curated by Teresa Riccardi, Gabriela Mistral Gallery, Santiago de Chile (CL) |
| El teatro de la pintura, MAMBA, Buenos Aires (AR) |
| Ways of Something II, curated by Lorna Mills, TRANSFER Gallery, Brooklyn (US) and Galerie dé, Olomouc, Czech Republic (CZ) and Gray Area, California (US) |
| Between the Lines, Agustina Ferreyra Gallery, Puerto Rico (PR) |
| Sucursal, Museo La Ene, Museum of Latin American Art of Buenos Aires, Buenos Aires (AR) |
| Click Click Click, curated by Faith Holland and Nora O’ Murchú, White Box - NY, Magic Lantern, Rhode Island (US), Hannah Macclure Centre at University of Dundee (GB) |
| Bellos Jueves, curated by Santiago Villanueva, National Museum of Fine Arts, Buenos Aires (AR) |
| PintorAs, León University, Cadiz Culture Foundation, León (ES) |
| Apuff, NNM.Studio Lima (PE) |
| SP-Arte, Oscar Cruz Gallery, Sao Paulo (BR) |
| 2013 | Landscapes of eloquence - Minimal Stories, with Santiago Villanueva, Quebracho Inc, New York (US) |
| Herstory Inventory, Oakville Galleries, Toronto (CA) |
| PintorAs, Magda Bellotti Gallery, Madrid (ES) |
| (Des)afectos, curated by Gaby Cepeda, Bikini Wax, México Solo, curated by Julieta Gonzalez and Pablo Leon de La Barra, Artrio, Rio de Janeiro (BR) |
| Nenufares, Mundo Dios, Mar del Plata (AR) |
| 2012 | L.E.A., Faena Arts Center, Buenos Aires (AR) |
| Herstory Inventory, by Ulrike Müller, Kunsthaus Bregenz, Bregenz (DE), Brooklyn Museum, New York (US) |
| Ultimas tendencias II, MAMBA, Buenos Aires (AR) |
| En mi ser eterno, curated by Karen Huber, at Galería 77, Mexico (MX) |
| 2º Bataclán InterNacional, video at Cine Erotika Ciudadela, Mexico (MX) |
| 2011 | Why painting?, Installation, National Arts Fund, Buenos Aires (AR) |
| PintorAs, Borges Cultural Center / Teatro Auditorium, Mar del Plata / San José Cultural Center, Buenos Aires (AR) |
| Performative Museum, by Liv Schulman, Energía Museum of Contemporary Art– La Ene, Buenos Aires (AR) |
| Un Museo Chévere, by Museo La Ene at Encuentro Internacional (Cheverista) Medellin, MDE11 (CO) |
| 2010 | The constructive élan, Alejandra Von Hartz Gallery, Miami (US) |
| Painting at the Jacoby´s political work in the 29th São Paulo Biennial, Brazil (BR) |
| PintorAs (Female paintings), The Museum of Contemporary Art Salta, The Museum of Contemporary Art Rosario and The Museum of Contemporary Art Corrientes (AR) |
| Twelve and under, Saffron Gallery, Brooklyn (US) |
| 2009 | Beloved Structure, Alejandra Von Hartz Gallery, Miami (US) |
| Lust for life, Buenos Aires Pavilion, Arteamericas, Miami (US) |
| Grinstein curator, sponsored by the Buenos Aires Goverment (US) |
| Trash, Fondo Nacional de las Artes (AR) |
| After the rain, Borges Cultural Center, Buenos Aires (AR) |
| Rework, General development and curatorship of collective exhibition at Jardín Oculto Gallery (AR) |
| Madonna, Daniel Abate Gallery, Buenos Aires (AR) |
| Crudo y exquisito, Video at the Cultural Center of Spain, Buenos Aires (AR) |
| 2008 | Year End, Oficina Proyectista, Buenos Aires (AR) |
| KDA, organized by Diana Aisenberg, Crimson Gallery, Bakersville (US) |
| 2007 | Portela 164, Paintings at Cordón Plateado, Rosario (AR) |
| Portela 164, Expotrastiendas Art Fair, Buenos Aires (AR) |
| Sleepiness, Gallery window intervention in collaboration with Viviana Blanco and Paulina Silva, Miranda Gallery (AR) |
| 2006 | Portela 164, Paintings at Borges Cultural Center, Buenos Aires (AR) |
| Year End (Fin de Año), the Oficina Proyectista, Buenos Aires (AR) |
| San Cristobal x 16, with Marcelina Di Pierro, Nicolas Dominguez Nacif, Amaya Bouquet, among others |
| KDA and Portela 164, Paintings at Periférica Encounter, Borges Cultural Center, Buenos Aires (AR) |
| Estudio Abierto Centro, Installation at the Central Post Office, Santiago (CL) |
| Casa Joven Palermo, Drawings along with Provisorio Permanente among others (AR) |
| Masiva A, Collective exhibition of paintings at Niceto Club, Buenos Aires (AR) |
| Artechacra, General development and curatorship of presentation at ArteBA, Buenos Aires (AR) |
| 2005 | Ego trip, Apettite Gallery, Buenos Aires (AR) |
| Artechacra.com at Periférica, Collective exhibition at Borges Cultural Center, Buenos Aires (AR) |
| KDA, organized by Diana Aisenberg, Crimson Gallery, Bakersville (US) |
| Swallow, collective drawing exhibition – Alberto Rougés Cultural Center, Tucumán (AR) |
| 6 in 1, Drawings, Pompeo Boggio Museum of Chivilcoy, Chivilcoy (AR) |
| Bastard Video Festival, organized by Julia Sánchez and Marina de Caro (AR) |
| The Recollection, MALBA, Buenos Aires, Contemporary Arts Museum of Tucuman, Tucuman (AR) |
| 2004 | IN BOX, Contemporary Arts Museum of Santa Fe, Santa Fe (US) |
| Itinerant Artistic Bazaar, Tandil 04 (curatorship) Casa Chango, Tandil (AR) |
| The photography in the Recollection, Faculty of Architecture, Design and Urbanism (FADU), University of Buenos Aires (UBA), Ciudad Universitaria Pavilion III (AR) |
| 2003 | Art Kiosk, Bellas Artes Designer Clothing Store (AR) |
| Dibujístico, Materia Urbana, San Telmo (AR) |
| Collage, Emergente party, Casa Joven Palermo (AR) |
| 2002 | Scrape off and win Slides projection, El Dorado, Buenos Aires News (AR) |
| 2001 | Very Important Parranda, La Palmera Theater (AR) |
| 2000 | Annual exhibition of the Fine Arts Chair’s Department Head Ester Nazarián, Photo Romance Novel – at Belleza y Felicidad Gallery (AR) |
| Paintings, Drawings and Sculptures Exhibition, Credicoop Bank (AR) |
| Drawings and Paintings Exhibition, Credicoop Bank (AR) |
| Paintings Exposition, Autumn Pavilion II, El Aleph Cultural Center (AR) |
| 1999 | Collective exhibition of paintings, curator Diana Aisenberg, Rojas Cultural Center, Buenos Aires (AR) |
| 1997 | Artfact – Setting, in tandem with Julieta Dolinsky, El Arlequino Cultural Center (AR) |