| 2025 | Future of Melancholia (Part II), Museum of Contemporary Art, Belgrade (RS) |
| Max Hetzler, Berlin (DE) - curated by Eugenio Rebaudengo |
| 2024 | Mon Cherie Coco, Institut Français de Tokyo, Tokyo (JP) |
| Into the rain, XYZcollective, Tokyo (JP) |
| 2023 | Tokio Hotel, presented by galerie tenko presents, Oranienburger Str. 87, Berlin (DE) |
| Saga House, Shibunkaku, Kyoto (JP) |
| Cadavre exquis or the voluptuous decay of the shivering veil, Braunsfelder, Cologne (DE) |
| L’Almanach 23, Le Consortium, Dijon (FR) |
| 2022 | Blumen in Vasen, Kunsthaus Glarus, Glarus (CH) |
| Another Surrealism, Den Frie Centre of Contemporary Art, Copenhagen (SE) |
| Paris Internationale, with Crèvecoeur, Paris (FR) |
| Group show, Croy Nielsen, Vienna (AT) |
| 2021 | and I will wear you in my heart of heart, The Flag Art Foundation, New York (US) |
| 2020 | (nothing but) Flowers, Karma, New York (US) |
| Sinkhole Project, by Joe Speier, curated by Julius Pristauz (AT) |
| 2019 | We need more than one term for these big things, Heiligenkreuzigerhof, Vienna (AT) |
| Daisy chain, A.D. Gallery, New York (US) |
| Comfortable hole bye, 4649, Tokyo (JP) |
| Observatory parking (2016), COW, Los Angeles (US) |
| 2018 | HARSH ASTRAL: The Radiants 2, Green Tea Gallery at Francesca Pia, Zurich (CH) |
| Die Welt retten, Heiligenkreuzerhof, Vienna (AT) |
| Es, ich, über ich, Rua do sol, Porto (PR) |
| 2017 | Madame, Justice, Vienna (AT) |