| Born in 1982 and 1976 | |
| Live and work in Amsterdam (NL) and Paris (FR) |
Solo exhibitions
| 2024 | Silent Symphony, Dirimart, İstanbul (TR) |
| 2023 | SLOWAVE, Camoufleur, Lille (FR) |
| Doors to the Cosmos, Crèvecœur, Paris (FR) | |
| 2021 | Melancholia, Crèvecœur, Paris (FR) |
| 2020 | Water Color Music, 40mcube, Rennes (FR) |
| 2019 | ZigZag, Centre de création contemporaine (CCC OD), Tours (FR) |
| Shining Mud, 313 Art Project, Seoul (KR) | |
| 2018 | Tie Dye High, Crèvecoeur, Paris (FR) |
| 2016 | The Light of the Light, Palais de Tokyo, Paris (FR) |
| Sweat Leaf, Juliette Jongma, Amsterdam (NL) | |
| 2015 | Hyperdelia, Crèvecoeur, Paris (FR) |
| Visions of Void, Dundee Contemporary Arts, Dundee (GB) | |
| 2014 | Prix Marcel Duchamp, FIAC, Paris (FR) |
| Art Basel Miami Beach, Positions, w. J. Jongma, Miami (US) | |
| Voyagers Go Overlight, Leto Gallery, Warsaw (PL) | |
| 2013 | God 2.0, Juliette Jongma Gallery, Amsterdam (NL) |
| Late Nights & Early Mornings, duo show w/ Edward C Thomson, Kunstraum, London (GB) | |
| 2012 | Laure et Jane Dumond, Crèvecoeur, Paris (FR) |
| Amnesic CisenmA, Ellen de Bruijne Projects, Dolores, Amsterdam (NL) | |
| 2011 | Undisciplined Oscillator, duo show w/ Amy Yoes - Galerie Stadtpark, Krems (AU) |
| Artissima, New Entries, with Crèvecoeur, Turin (IT) | |
| The Furthest Point, Car projects, Bologna (IT) | |
| 2010 | Mary-u-wanna, Crèvecoeur, Paris (FR) |
| Brothers of the Shadow, Envoy Enterprises, New York (US) | |
| The Eighth Sphere, Zoo Galerie, Nantes (FR) | |
| Ex Futuro, Domaine Départemental de Chamarande, France (FR) | |
| 2009 | Ice in the Sun, Carol Jazzar Gallery in association with The French Consulate, Miami (US) |
| Maxima Mystica, Le Printemps de Septembre, Fondation Espace Ecureuil, Toulouse (FR) | |
| 2008 | The Birth of a Psychic Heart, The Calm Before & the Calm Beyond, High on the Hill, The Pleasant Appear ance, Spinging from the Swamp, The Death of the Dead-killers… - Crèvecoeur, Paris (FR) |
| Abstract Lady Guardian, 40Mcube, Rennes (FR) | |
| 2007 | Shades From the Breath of Hell, Diesel Denim Gallery, New York (US) |
| Fried Face Stories, Musée des Beaux Arts de Nantes, Nantes (FR) | |
| 2006 | The Girl of Independent Meaning, galerie Caballero, Nantes (FR) |
| 2004 | A Riff of Eternity, Glasgow project room, Glasgow (GB) |
Group exhibitions
| 2022 | Sous le motif, Collection d’art Société Générale, Puteaux (FR) |
| 2021 | I’VE SEEN THINGS YOU PEOPLE WOULD’NT BELIEVE, FRAC Corsica, Corte (FR) |
| ‘U’upa a Hina, Dirimart, Istanbul (TR) | |
| 2020 | Milléniales. Peintures 2000-2020, Frac Nouvelle-Aquitaine MÉCA, Bordeaux (FR) |
| La couleur crue, Musée des beaux-arts de Rennes, Rennes (FR) | |
| Your friends and neighbors, High Art, Paris (FR) | |
| 2019 | Trouble in Paradise, Collection Rattan Chadha - Kunsthal Rotterdam (NL) |
| Species of Spaces – Works from the Société Générale Collection, Bucarest, The National Museum of Art of Romania, București (RO) | |
| Duckumenta, Omstand, Arnhem (NL) | |
| 2018 | L’esprit Souterrain, curated by Hugo Vitrani - Domaine Pommery, Reims (FR) |
| World Masters of Projection Mapping, EYEfilmuseum, Amsterdam (NL) | |
| 2017 | Swashbuckling, Galerie Juliette Jongma, Amsterdam (NL) |
| Paris Internationale Art Fair, w. Crèvecoeur, Paris (FR) | |
| 2016 | BEDAZZLE, Kunstfort, Vijfhuizen (NL) |
| Close Up, Eye Filmmuseum, Amsterdam (NL) | |
| Zodiaco, Hopstreet gallery, Brussels (BE) | |
| 2015 | Axis Mundi Art as a healing tool, -1, Paris (FR) |
| Après avoir tout oublié, Astérides, Friche la Belle de Mai, Marseille (FR) | |
| Un mural, des tableaux, Le Plateau FRAC Ile de France, Paris (FR) | |
| 2014 | Prix Marcel Duchamp 2014, Wilhem Hack Museum, Ludwigshafen (DE) |
| Prix Marcel Duchamp 2014, Musée des Beaux Arts, Abbatiale, Rouen (FR) | |
| Zones sensibles, La peinture renversée, CNAP Collection, Musée de l’Abbaye Sainte-Croix, Les Sables d’Olonne, France (FR) | |
| Zodiaco, Car Drde, Bologna (IT) | |
| Superficial Hygiene, De Hallen, Haarlem (NL) | |
| 2013 | RijksakademieOPEN, Rijksakademie Van Beeldende Kunsten, Amsterdam (NL) |
| De leur temps 4, Centre d’art Le Hangar à Bananes, Nantes (FR) | |
| Suite, Zoo Galerie, Nantes (FR) | |
| Late Nights & Early Mornings, duo show, Kunstraum, London (UK) | |
| Le Club des Sous l’Eau, Palais de Tokyo, Paris (FR) | |
| Yellowing of the Lunar Consciousness, Galleria Massimodeluca, Mestre and Palazzo Bonvicini, Venezia (IT) | |
| What’s the first thing you’re going to do when you get your new arms put on ?, Crèvecoeur, Paris (FR) | |
| Dynamo. Un siècle de lumière et de mouvement dans l’art. 1913-2013, Galeries Nationales du Grand-Palais, Paris (FR) | |
| The End of the Night, LACE, Los Angeles (US) | |
| L’origine des choses, CNAP Collection, la Centrale for Contemporary Art, Brussels (BE) | |
| …and beyond painting, Cosar HMT, Dusseldorf (DE) | |
| 2012 | OPEN Studios, Rijksakademie, Amsterdam (NL) |
| Le Confort Moderne, Confort Moderne, Poitiers (FR) | |
| Grey Peak of the Wave, Harris Lieberman Gallery, New York (US) | |
| Higher Atlas, Arts in Marrakech Biennale 4th edition, El Badi Palace, Marrakech, Morocco (MA) | |
| Les Mystères de l’Ouest, le Nouveau Festival, Centre Pompidou, Paris (FR) | |
| Du monde clos à l’univers infini, Le Quartier, Quimper (FR) | |
| 2011 | Undisciplined Oscillator, two person show w/ Amy Yoes, Galerie Stadtpark, Krems, Austria (AU) |
| The Revolution Will Be Televised (And Broadcast On The Internet), IG Bildende Kunst, Wien (AT) | |
| Forms and Inflections, Silverman Gallery, San Fransisco (US) | |
| 100 dessins contre la guerre du Vietnam, Komplot, Brussels, Be & Le Commissariat, Paris (FR) | |
| The Promise, Crèvecoeur, Paris (FR) | |
| Soleil dans l’ombre, galerie Sollertis, Toulouse (FR) | |
| Tenebro, l’Onde, Vélizy-Villacoublay (FR) | |
| 2010 | FIAC, with Crèvecoeur, Paris (FR) |
| Nineteeneightyfour, Austrian Cultural Forum, New York (US) | |
| Temps retrouvé, œuvres de la collection du FRAC des Pays de la Loire, Musée des Beaux-Arts d’Angers (FR) | |
| 2009 | Là-bas, Crèvecoeur, Paris (FR) |
| Une exposition de peinture, l’Atelier, Zoo Galerie, Nantes (FR) | |
| I’m so sad, my God, ISCP, Brooklyn, New York (US) | |
| 2008 | Dreamland, Domaine Départemental de Chamarande (FR) |
| Nocturama, galerie LHK, Paris (FR) | |
| 2007 | Relampago, KBB, Barcelone (ES) |
| Speed Dating 2, Fast & Furious, Zoo galerie, Nantes (FR) | |
| XXIe Ateliers Internationaux du Frac Pays de la Loire, Carquefou (FR) | |
| Accords Excentriques, BPS22, Charleroi (FR) | |
| Le goût du temple, Nantes (FR) | |
| 2006 | Remastered II, Formavision, Miami Beach (US) |
| Accords Excentriques, Domaine Départemental de Chamarande (FR) | |
| 2005 | Crystal Mountain, Courchevel (FR) |
| Galerie Ipso Facto, Nantes (FR) | |
| Mole Trap, Volksystem, Toulouse (FR) | |
| 2004 | Vente à la Criée du Lot 49, Zoo galerie, Nantes (FR) |
| Patterns, Hangar, Barcelona (ES) |
Works in institutional collections
| Domaine départemental de Chamarande (Conseil général de l’Essonne) (FR) | |
| CNAP (Fonds National d’Art Contemporain) (FR) | |
| FRAC des Pays de la Loire (FR) | |
| De Nederlandsche Bank (NL) | |
| FRAC Île de France (FR) |
Publications
| 2016 | The Light of the Light, Palais de Tokyo. Editions Presses du Réel, texts by Khairuddin Hori, Hugo Vitrani, interview by Mara Hoberman |
| 2014 | Brothers of the Shadow, catalogue, text by Genesis Breyer P-Orridge, published by Crèvecoeur, Paris, with the support of Fundación 30 km/s |
| 2007 | Fried Face Stories, by Florian & Michael Quistrebert, FDAC Essonne et Le Lieu Unique, Nantes |
| 2005 | Armpit of the Mole, your new favorite drawings compilation, 30KM/S Ediciones, Barcelona |
Press
| 2020 | Agnès Le Morvan, Rennes. Les paysages imaginaires des frères Quistrebert exposés jusqu’en décembre, Ouest France, September 24. |
| 2019 | Hugo Vitrani, L’esprit souterrain, Beaux Arts - Pommery, p. 52-53. |
| Judicaël Lavrador, Emmanuelle Lequeux, Hugo Vitrani, “Vasarely sous LCD” in Best of 2019, Beaux Arts Magazine, N°426, December. | |
| Elena Cardin, The Quistrebert Brothers, 02, October. | |
| 2018 | Pedro Morais, Ce n’est pas abstrait, c’est de la peinture abstraite, Le Quotidien de l’Art, N° 1508, June 1, p. 20-21. |
| Judicaël Lavrador, “3 / Les bêtes de scène” in Quand la peinture déborde, Beaux Arts Magazine, February, p. 56-58. | |
| Julie Ackermann, Voyage au cœur de l’underground, Beaux Arts Magazine, N°413, November, p. 144-145. | |
| 2017 | Julien Bécourt, Florian & Micahel Quistrebert, art press, N° 449, November , p. 24-25. |
| 2016 | Thierry Grizard, “Quistrebert ; ceci est de la peinture, une installation de peintures”, ARTE FIELDS, February 20 |
| Roxana Azimi, “La peinture dans tous ses états au Palais de Tokyo”, Le Quotidien de l’Art, February 22 | |
| Sabrina Silamo “Florian & Michael Quistrebert au Palais de Tokyo”, Telerama, March | |
| “Les Quistrebert au Palais de Tokyo : on veut brutaliser la rétine”, Le Nouvel Obs, site, February | |
| 2015 | “Hyperdelia, Galerie Crèvecoeur”, Mara Hoberman, Artforum, September |
| “Mercure au Chrome”, Jean-Max Colard, les Inrockuptibles, July | |
| “Florian et Michael Quistrebert”, Charles Barachon, Technikart, July | |
| 2013 | Hans den Hartog-Jager, NRC, “God 2.0” |
| Kees Keijer, Het Parool, “God 2.0” | |
| Niek Hendrix, Lost Painters, “God 2.0 at Juliette Jongma” | |
| Emanuele Fontanesi, Mixt(e), Spring/Summer 2013 | |
| Yasmine Mohseni, Modern Painters, January 2013 | |
| 2012 | Hugo Vitrani, Mediapart, (mediapart.fr) |
| 2011 | Fabiola Naldi, “Florian & Michael Quistrebert”, Flash Art, edizione italiana, July 2011 |
| Alessandra Sandrolini, “The Furthest Point”, Kaleidoscope Blog, April 2011 | |
| 2010 | Interview with Benjamin Bianciotto, “Skull and (cross) bones’”, Particules, No 24, Summer 2010 |
| Karen Rosenberg, “The Lights of Big Brother’s Eyes, Blinking in the city’”, The New York Times, August 2010 | |
| R.C Baker, “Good Evening Mr. Orwell”, Village Voice, June 2010 | |
| Charles Barachon, “Les Quistrebert Bro”, Technikart, April 2010 | |
| Judicaël Lavrador, “Le dessin contemporain sur tous les fronts”, BeauxArts Magazine, April 2010 | |
| Jean-Max Colard, “Florian et Michaël Quistrebert, Ex Futuro”, Les Inrockuptibles, March 2010 | |
| 2009 | Technikart Hors série, October 2009 |
| Claire Moulène, “L’art à quatre mains, les frères Quistrebert”, Les Inrockuptibles, October 2009 | |
| Yves Brochard, “A group of friends meet…”, Kunsthart, No 56, October 2009 | |
| Christopher Mooney, “Florian & Michaël Quistrebert”, Art Review, March 2009 | |
| Yves Brochard, “Florian & Michaël Quistrebert, galerie Crèvecoeur, Paris”, Frog, No 8, Spring / Summer 2009 | |
| 2008 | Judith Quentel, “Florian et Michaël Quistrebert : le pop customisé ambiance sauvage”, BeauxArts Magazine |
| hors série, “Qu’est-ce que la sculpture aujourd’hui ?”, 2008 | |
| Charles Barachon, “Interview fissa”, Technikart, December 2008 | |
| Alexis Vaillant, “Le crépuscule pour horizon”, catalogue de l’exposition XXI ème Ateliers Internationaux, FRAC Pays de la Loire, 2008 | |
| Aude Launay, “Florian & Michaël Quistrebert, Songs for a dead man”, Zérodeux Magazine, Winter 2008 |
Residencies
| 2012 | Rijksakademie, Amsterdam (NL) |
| 2010 | Domaine départemental de Chamarande (FR) |
| 2009 | Triangle Studio, CulturesFrance, Brooklyn, New York (US) |
| 2007 | XXIe Ateliers Internationaux du Frac Pays de la Loire, Carquefou (FR) |
Prize
| 2018 | Winners of World Masters of Projection Mapping Award, Amsterdam (NL) |
| 2017 | Winners of the NNG award 2017, during Art Rotterdam (NL) |