| 2021 | Plural Domains: Selected Works from the Cisneros Fontanals Art Foundation Collection, Harn Museum of Art, Gainesville (US) |
| 2019 | Postales de Futuro, Baró Galeria, Madrid (ES) |
| Criteria, curated by Miguel von Hafe, with Fundación ARCO, Galeria do Torreão Nascente de la Cordoaria, Lisbon (PT) |
| Postales de Futuro, Baro Gallery, Madrid (ES) |
| 2018 | XIV Bienal de Cuenca: Estructuras Vivientes, el arte como experiencia plural, curated by Jesús Fuenmayor, Cuenca, Ecuador (ES) |
| Home-So Different, So Appealing, The Museum of Fine Arts, Houston (US) |
| 2017 | Never Eat the Same Cracker Twice, CNEAI, Pantin (FR) |
| Home-So Different, So Appealing, LACMA, Los Angeles (US) |
| 2015 | Everything you are I am not, Mara Wynwood, Tiroche-Deleon Collection, selected by Catherine Petitgas |
| Art BAsel Miami Beach, with Ignacio Liprandi, Buenos Aires Seoul, vite, vite!, Tripostal, Lille (FR) |
| Architecturer l’horizon, FRAC Centre, Orléans (FR) |
| 2014 | Spatial Acts, Americas Society Visual Arts, New York (US) |
| Venir voir venir, Fondation d’entreprise Galeries Lafayette, Paris (FR) |
| Vernacular Alchemists, Passerelle Centre d’art contemporain, Brest, France (FR) |
| Le Baron de Triqueti, Abbaye de Cluny, Paris (FR) |
| 2013 | Coleccion: adquisicions e incorporacions recentes, CGAC, Santiago de Compostela (ES) |
| Opinione Latina, Galleria Francesca Minini, Milan (IT) |
| L’origine des choses, CNAP Collection (France), la Centrale for Contemporary Art, Brussels (BE) |
| 2012 | Sphères 2012, Galleria Continua, Le Moulin (FR) |
| Art Basel Miami Beach, Art Nova, Galeria Ignacio Liprandi (AR) |
| Ca & là / This & there, Fondation d’entreprise Ricard, Paris (FR) |
| In Other Words / Blackmarket of Translation, Negotiating |
| Contemporary Cultures, NGBK and Kunstraum Kreuzberg, Berlin (BE) |
| Texto de sala, Galerie Crèvecoeur, Paris (FR) |
| 2011 | Untitled (Passport), 12th Istanbul Biennial, Istanbul (TU) |
| 2010 | In Transition, 2010 CIFO Grants, Cisneros Fontanals Art Foundation, Miami (US) |
| Dynasty - Palais de Tokyo / Musée d’Art Moderne, Paris (FR) |
| Distant Memory - Kunstverein Solothurn, Switzerland (CH) |
| Arte D - Periférico Caracas (VE) |
| The Multicultural In Our Time, Museum of Modern Art & Gyeonggi Creation Center, Korea (KR) |
| 2009 | Panorama de arte brasileira, curated by Adriano Pedrosa, Museu de Arte Contemporanea de Sao Paulo, Sao Paulo (BR) |
| Let’s Talk About Painting, Le Stand, Lyon (FR) |
| L’esprit du lieu, Domaine Départemental de Chamarande, France (FR) |
| Multiples, Galerie Aliceday, Brussels (BE) |
| A la limite, Galerie Michel Journiac, Université Paris 1 Sorbonne, Paris (FR) |
| 2008 | Down by Law, Crèvecoeur, Paris (FR) |
| Last Chance to See the Show, Hot Desking Paris / Curatorlab / Manifesta 7, Point Ephémère, Paris (FR) |
| Breakfast at Tiffany’s, Galerie de Multiples, Paris (FR) |
| XI salón jóvenes con FIA, Caracas (VE) |
| 2006 | Le Petit Noël du Commissariat, Le Commissariat, Paris (FR) |
| Cosa Nostra, Glassbox, Paris (FR) |
| La Force de l’Art, « Je ne crois pas aux fantômes, mais j’en ai peur », curated by Bernard Marcadé, Grand Palais, Paris (FR) |
| About Nothing, Mais que fait la critique ?, screening, Palais de Tokyo, Paris (FR) |
| 2005 | Chapitre Deux, Abbaye de Maubuisson (FR) |
| Cíclope : Visiones Contemporáneas en Vídeo, Centro Cultural Chacao, Caracas (VE) |
| Tous Pour Un, Glassbox, Paris (FR) |
| Air Cambodia, Palais de Tokyo, Paris (FR) |
| Mon Choix, La Vitrine, Paris (FR) |
| 2004 | Chapitre Un, Abbaye de Maubuisson (FR) |