| Born in Oakhurst (US) 1976 | |
| Lives and works in Santa Barbara (US) |
Education
| 1999 | University of California, Berkeley (US) |
| 2004 | Carnegie Mellon University, Pittsburgh (US) |
| 2004 | Skowhegan School of Painting and Sculpture, Skowhegan (US) |
| 2006 | De Ateliers, Amsterdam (NL) |
Solo shows
| 2022 | Soul Seeker: Shana Moulton X Min Wong, Cement Fondu, Sydney (AU) |
| 2021 | All I need is the air that I breathe, Crèvecœur, Paris (FR) |
| The Invisible Seventh is the Mystic Column, MCASB, Santa Barbara (US) | |
| 2020 | Shana Moulton, Art Space Gallery: Fresno City College, Fresno (US) |
| 2019 | Shana Moulton, Zabludowicz Collection, London (GB) |
| 2018 | Whispering Pines ∞, Galerie Gregor Staiger, Zurich (CH) |
| Whispering Pines 10: Phase I, Canada Gallery, New York (US) | |
| First Look: Whispering Pines 10, New Museum, New York (NY) (online) | |
| Whispering Pines, Centre Clark, Montreal (CA) | |
| 2017 | Shana Moulton - The Undiscovered Drawer, Atlanta Contemporary, Atlanta (US) |
| Outhouse Portal, NICC, Brussels (BE) | |
| 2016 | Journeys out of the Body, Museum of Fine Arts, St. Petersburg (FL) |
| Every Cell is a Bell, Kunsthaus Glarus, Switzerland (CH) | |
| Shana Moulton ‘Gund Commons’, MOCA Cleveland, Cleveland (US) | |
| Every Angle is an Angel, Palais de Tokyo, Paris (FR) | |
| Every Now and then I Fall Apart, The Green Parrot, Barcelona (ES) | |
| Mood swings, Crèvecœur, Paris (FR) | |
| 2015 | Control: Technology in Culture, The Yerba Buena Centre for the Arts, San Francisco (US) |
| The Rippled Self I know, Galerie Gregor Staiger, ZurichArts, San Francisco (US) | |
| My life as an INFJ, Julius Caesar, Chicago (US) | |
| The Box: Shana Moulton, Pippy Houldsworth, London (GB) | |
| 2014 | Mindplace Thoughtstream, 1646, Den Haag (NL) |
| Detached Inner Eye, La Loge, Brussels (BE) | |
| bakery: Shana Moulton, Unique Boutique, Braverman Gallery, Tel Aviv (IL) | |
| Shana Moulton: Episodes From Whispering Pines, Nieuwe Vide, Haarlem (NL) | |
| 2013 | A Unique Boutique, Crèvecœur, Paris (FR) |
| Morphing Essence Syndrome, Smack Mellon, Brooklyn (US) | |
| Hybrid Naples: L’ordine delle idee deve procedere secondo l’ordine delle cose, Fondazione Morra Greco, Naples (IT) | |
| The Undiscovered Drawer, FIAC, Secteur Lafayette, with Crèvecœur, Paris (FR) | |
| 2012 | Prevention, Gimpel Fils, London (GB) |
| Siła Woli, Galeria Arsenał, Białystok, Poland (PL) | |
| The line where your appearance flips over into reality, Agape Enterprise, New York (US) | |
| Shana Moulton, Allcott Gallery, University of North Carolina, Chapel Hill (US) | |
| 2011 | Decorations of the Mind II, Gregor Staiger, Zurich (CH) |
| Operaprima: Shana Moulton, white.fish.tank, Ancona (IT) | |
| 2010 | The Castle of Secrets, Galerie Fons Welters, Amsterdam (NL) |
| Puzzle Saga, Gimpel Fils, London (GB) | |
| Whispering Pines 6, 7, 8, The Box at The Wexner Center for the Arts, Cleveland (US) | |
| Whispering Pines 4, David Castillo Gallery, Miami (US) | |
| 2009 | The Undiscovered Antique, New Commission 09, Art in General, New York (US) |
| Whispering Pines by Shana Moulton, Broadcast Gallery, Dublin (GB) | |
| Subjective Projections, Bielefelder Kunstverein, Bielefeld (DE) | |
| 4 x 4, The Bluecoat, Liverpool (GB) | |
| 2008 | Repetitive Stress Injuries, Pianissimo, Milan (IT) |
| Whispering Pines, Contemporary Museum of Art, Uppsala (SU) | |
| Sand Saga, Broadway 1602, New York (US) | |
| 2007 | Whispering Pines, Gimpel Fils, London (GB) |
| Whispering Pines, Project Room, Bellwether, New York (US) |
Group shows
| 2022 | Sailors of the Land, Buzzer Reeves, Berlin (DE) |
| Ridiculously Yours! Art, Awkwardness and Enthusiasm, Bundeskunsthalle, Bonn (DE) | |
| Empowerment, Kunstmuseum, Wolfsburg (DE) | |
| Into the Unknown, Salt Beyoğlu and Salt Galata, Istanbul (TR) | |
| Take Care: Art and Medicine, Kunsthaus Zürich (CH) | |
| LYNCHLAND, GENRE, AUTEURISM & A FISH IN THE PERCOLATOR, curated by Tom Dunn and Steven Wolkoff, Torrance Art Museum (US) | |
| Melketenner / Milk Teeth, Nitja Centre for Contemporary Ar, Lillestrøm (NO) | |
| 2021 | Do Nothing, Feel Everything, curated by Laura Amann and Aziza Harmel, Kunsthalle Wien (AT) |
| no holiday is forever, International Waters, New York (US) | |
| Kosmos Emma Kunz, Aargauer Kunsthau, Aarau (CH) | |
| La Casa Encendida, Madrid (ES) | |
| Doors of Perception, Visions, Auckland (NZ) | |
| Splash, Comédie de Caen - CDN de Normandie, Caen (FR) | |
| 2020 | Meditations In An Emergeny, UCCA, Beijing (CN) |
| Brainwashed, Sammlung Goetz in Haus der Kunst, Munich (DE) | |
| Mythologies – The Beginning and End of Civilizations, cur. by Jakob Vengberg Sevel, ARoS, Aarhus (DK) | |
| All of Them Witches, Jeffrey Deitch, Los Angeles (US) | |
| The Penumbral Age. Art in the Time of Planetary Change, Museum of Modern Art Warsaw, Warsaw (PL) | |
| All Clothes Artists’ Own, Gregor Staiger, Milan (IT) | |
| A Cycle of Sustain and Decay, TICK TACK, Antwerp (BE) | |
| Well Now WTF, http://wellnow.wtf, Online | |
| Scripted Truths, The Agprognostic Temple, Brussels (BE) | |
| Diskrete Simulation, curated by Jakob Lena Knebl, Galerie Crone, Vienna (AT) | |
| The eye can see things the arm cannot reach, cur. by by Julie Grosche and Like a Little Disaster, online: sajetta.com, onsite: Chiesa di San Giuseppe, Polignano a Mare (IT) | |
| un été indien, Frac Normandie Caen, Caen (FR) | |
| 2019 | 15th Lyon Biennale: Where Water Comes Together With Other Water, Lyon Biennale, Lyon (FR) |
| Nuit Blanche, Paris (FR) | |
| FIAC HORS LES MURS, Jardin des Tuileries, Paris (FR) | |
| Children of the Sun, LADIES’ ROOM, Los Angeles (US) | |
| Liminal Landscapes, Southeastern Louisiana University Contemporary Art Gallery, Hammond (US) | |
| VERTIKALWINKEL, SCHAU FENSTER, Berlin (GE) | |
| MYBODY.COM, NEST, The Hague (NL) | |
| Extraordinary Ordinary, 38CC, Delft (NL) | |
| Mysteries and the Ordinary, Hotel Castell, Zuoz (CH) | |
| REMAKE, Frac Normandie Rouen, Sotteville-lès-Rouen (FR) | |
| SEDONA, Villa du parc centre d’art contemporain, Annemasse (FR) | |
| AXxoN N.: A Collective Commentary on David Lynch’s Inland Empire, Essex Flowers, New York (US) | |
| Producing Futures—An Exhibition on Post-Cyber-Feminisms, Migros Museum für Gegenwartskunst, Zurich (CH) | |
| Ways of Something, Transfer Gallery at SPRING / BREAK Art Show, Los Angeles | |
| Your Voice Matters, Museum Arnhem (NL) | |
| BelVedere, MARS, Milan (IT) | |
| FOAF, WSCHÓD, Warsaw (PN) | |
| New Age, New Age: Strategies for Survival, DePaul Art Museum, Chicago (US) | |
| I want to know now, Centro Arte Complutense, Universidad Complutense de Madrid, Madrid (ES) | |
| PSYCHEDELIC HEALING CENTER, Essex Flowers, New York (US) | |
| CosmoFeminism, 48 hours Neukölln, Berlin (GE) | |
| Ripe Beings, White Crypt, London (GB) | |
| All His Ghosts Must Do My Bidding, Wysing Arts Centre, Bourn (GB) | |
| Crystal Chain, Jozef Kollár Gallery, Banská Štiavnica (SK) | |
| In Character, Verge Gallery, University of Sydney, Sydney (AU) | |
| BelVedere Locarno, Locarno Film Festival (CH) | |
| Fruitful Labors, Bernard A. Zuckerman Museum of Art at Kennesaw State University, Kennesaw (US) | |
| 2018 | Anti, Athens Biennale (GR) |
| Group Therapy, Frye Art Museum, Seattle (US) | |
| Fashion Drive, Kunsthaus Zürich, Zurich (DE) | |
| Adverbios Temporales, CentroCentro Cibeles de Cultura y Ciudadanía, Madrid (ES) | |
| Breaking Shells, The Koppel Project Baker Street & The Koppel Project Hive, London (GB) | |
| Broadcasting: EAI at ICA, Institute of Contemporary Art, Philadelphia (US) | |
| Some Things Hidden, Framer Framed, Amsterdam (NL) | |
| Remedial Works, PICA, Perth Institute of Contemporary Arts, Perth (AU) | |
| 2017 | beyond future is past, Kunsthalle Münster, Münster (DE) |
| Ways of Seeing, Villa Empain – Fondation Boghossian, Brussels (BE) | |
| Ways of Seeing, ARTER, Istanbul (TU) | |
| Dreamers Awake, White Cube Bermondsey, London (GB) | |
| Physical Mind Restless Hands, organized by Benedicte Gyldenstierne Sehested, Micky Schubert, Berlin (DE) | |
| Through the Things We Make, Göteborg Konsthall (SU) | |
| The Act of Magic, STUK Kunstencentrum vzw, Leuven (BE) | |
| Observatories, The Center for the Arts, Jackson (US) | |
| Collection Show, California College of the Arts Gallery PLAySPACE, San Francisco (US) | |
| Good Vibrations, SIC, Helsinki, Finland (FI) | |
| Some Hidden Things, Castrum Peregrini, Amsterdam (NL) | |
| Love, Memory, Curiosity, Polana Institute @ the Warsaw Geological Museum, Warsaw (PL) | |
| Remedial Works, Perth Institute of Contemporary Arts, Perth (AU) | |
| Health as Metaphor, El Museo de Arte de Zapopan, Zapopan, México (MX) | |
| General Audition, Galerie l’elac, Ecole cantonale d’art de Lausanne, Lausanne (CH) | |
| She Devil, Studio Stefania Miscetti, Rome (IT) | |
| INFRA - Inside the Outside World, Yamamoto Gendai, Tokyo (JP) | |
| Condo, Galerie Gregor Staiger in collaboration with Emalin, London (GB) | |
| Culture Industry, Mills College Gallery, Oakland (US) | |
| Artefact: The Act of Magic, STUK Kunstcentrum, Lueven (BE) | |
| Physical Mind Restless Hands, Micky Schubert, Berlin (DE) | |
| Through the Things We Make, Åsa Norberg & Jennie Sundén, Göteborgs Konsthall, Göteborg (SU) | |
| Cinema Arcane, The Front, New Orleans (US) | |
| Being Well: In Search of Utopia?, The Old Stone House, Brooklyn (US) | |
| 3 Decades of Change, Artspace, New Have (US) | |
| WHERE THE WOOZLE WASN’T, SØ, Copenhagen (DK) | |
| The Fiction of the Fix, Tenderpixel, London (GB | |
| Paysages en scène, Grand-Théâtre de Bordeaux, Bordeaux (FR) | |
| 2016 | The People’s Cinema, Salzburger Kunstverein, Salzburg (AU) |
| New-Self-Portrait-Paradox, MINI/Goethe-Institut Curatorial, Residencies Ludlow 38*, New York (US) | |
| Your Memories are our Future, Palais de Tokyo / ACRUSH, Zurich (CH) | |
| Plein_Ecran, La Station, Nice (FR) | |
| Group Show, Galerie Gregor Staiger, Zurich (CH) | |
| 5 Years at Heddon Street, Pippy Houldsworth Gallery, London (GB) | |
| Playstation, Galerie Fons Welters, Amsterdam (NL) | |
| Ein Schelm, wer Böses dabei denkt, Künstlerhaus Bremen, Bremen (DE) | |
| Neo-Pagan Bitch-Witch, Evelyn Yard, London (GB) | |
| MAXIMUM MINIMUM IN UNUM, Miller Gallery at Carnegie Mellon University, Pittsburgh (US) | |
| Low-Grade Euphoria, SVA MA Curatorial Practice, Pfizer Building, Brooklyn (US) | |
| The Portent of Light, MeetFactory Gallery, Prague (CZ) | |
| Soap, Cream, Knife, apes&castles, Brussels, (BE) | |
| 2015 | The Averty Show, Le confort Moderne, Poitiers (FR) |
| Axis Mundi Art as a healing tool, -1, Paris (FR) | |
| Hybridize or Disappear, Museu Nacional de Arte Contemporânea do Chiado, Lisbon (PT) | |
| Tchotchke: mass-produced sentimental objects in contemporary art, The Gund Gallery, Kenyon College, Ohio (US) | |
| 2014 | A Public Fiction at the Hammer Museum, The Hammer Museum, Los Angeles (US) |
| Nothing Twice, Cricoteka Museum, Krakow (PL) | |
| Shana Moulton and Lucy Stein, Gimpel Fils, London (GB) | |
| There is nothing personal of yours to exhibit, Crèvecoeur, Paris (FR) | |
| The aesthetics of a disenchanted world, Abbaye St André Centre d’art contemporain, Meymac (FR) | |
| Rift, BALTIC 39, Newcastle upon Tyne | |
| Monkeytown 4, MCA Denver, Denver (US) | |
| A Drop of Golden Sun, with Zachary Wollard, La Mama Galleria, New York (US) | |
| 2013 | Oracular Vernacular, MAMO, Marseille (FR) |
| As real as walking down the street and going to the grocery store, Rowing Projects, London (GB) | |
| Lies that Tell the Truth: Magic Realism in Contemporary Art, Indiana State University Art Gallery, Terre Haute (US) | |
| Monkeytown 3, Eyebeam, New York (US) | |
| 2012 | The Best of Times, Galerie Gregor Staiger, Zurich (CH) |
| Technicolour Yawn, Import Porjects, Berlin (DE) | |
| Stage Presence: Theatricality in Art and Media, SFMOMA, San Francisco (US) | |
| Soundworks, ICA London (GB) | |
| The Great Outdoors, Pace Digital Gallery, Pace University, New York (US) | |
| Myopia Sparkles, MOCA London, London (GB) | |
| 2011 | The 29th Biennial of Graphic Arts, Ljubljana (SI) |
| Shift, Guangdong Times Museum, Guangzhou (CH) | |
| Coming Soon: Keren Cytter, Stanya Kahn, Dafna Maimon, and Shana Moulton, Future Gallery, Berlin (DE) | |
| Invincible Summer Within, Ayuntamiento, Jesus Pobre (ES) | |
| Looped, Salt Lake City Art Center, Salt Lake City (US) | |
| The Promise, Crèvecœur, Paris (FR) | |
| Future Present: Five Artists, Five Weeks, Arthouse at the Jones Center, Austin (US) | |
| (Re)move (Re)frame, Bard Center for Curatorial Studies, Annandale-on-Hudson, New York (US) | |
| Le Slurm, Haute Ecole d’Art et Design, Geneva (CH) | |
| Moving Image Fair, with Galerie Gregor Staiger, New York (US) | |
| 2010 | New Panorama, Pianissimo, Milan (IT) |
| DO / REDO / UNDO – 50 YEARS OF VIDEO PERFORMANCE, Wiels, Brussels (BE) | |
| No Soul For Sale, Tate Modern, London (GB) | |
| LIVING IN ORANGE!!! (easyjetsetters), Forgotten Bar, Berlin (DE) | |
| Great New York Cinema, MoMA PS1, Long Island City (US) | |
| Chained to a Creature of a Different Kingdom, David Castillo Gallery, Miami (US) | |
| Grotesque & Arabesque - New American Video, Kunstnernes Hus, Oslo (NO) | |
| Inaugural Group Show, Broadway 1602, New York (US) | |
| 2009 | 45 Years of Performance Video from EAI, MoMA PS1, Long Island City (US) |
| Temple, Ring Gallery, HDLU, Trgžrtava fašizma bb, Zagreb (HR) | |
| Supergirl, NEXUS, Philadelphia (US) | |
| Mermaids and Unicorns, I-20 Gallery, New York (US) | |
| Arnhem Mode Biënnale - La Maison de Poupée, Historisch Museum Arnhem, Arnhem (NL) | |
| 2008 | Extasi, Extano, Frieze Art Fair, Broadway 1602 booth E16, London (GB) |
| Funny Not Funny, Bellwether Gallery, New York (US) | |
| Squaring the Circle, Suite 405, Brooklyn (US) | |
| NEXT: The Invitational Exhibition of Emerging Art, Country Club booth, Chicago (US) | |
| 2007 | Float, Socrates Sculpture Park, Long Island City, New York (US) |
| Modern Solitude, Galerie Fons Welters, Amsterdam (NL) | |
| PLAN S, Pianissimo, Milan (IT) | |
| Star Systems: Bjorn Kjelltoft and Shana Moulton, Fordham Lincoln Center Gallery, New York (US) | |
| 2006 | Action Adventure, Canada, New York (US) |
| Wendy House, NewYorkRioTokyo, Berlin (DE) | |
| Offspring, De Ateliers, Amsterdam (NL) | |
| EAI at the Armory Show, Electronic Arts Intermix, New York (US) | |
| 2005 | Launch: EAI Projects, Electronic Arts Intermix, New York (US) |
| Precious Moments, Joymore, Brooklyn (US) | |
| Decorations of the Soul, joint show with Lucy Stein, Aurora, Edinburgh (GB) | |
| 2004 | Corin Hewitt/Shana Moulton, Livingroom-D-Lyx, Malmo (SE) |
| 2003 | Visceral, Athens Institute for Contemporary Art, Athens (GR) |
Performances
| 2020 | Closing Performance and Poetry Reading, Art Space Gallery: Fresno City College, Fresno (US) |
| 2019 | Past x Present x Future = Spirit, Zabludowicz Collection, London (GB) |
| 2018 | This organ wants this, that organ wants that, Athens Biennale, Athens (GR) |
| This organ wants this, that organ wants that, Atalante, Göteborg (SE) | |
| Vertical Cinema and Headroom present Shana Moulton, Drewelowe Gallery, University of Iowa, Iowa City, IA, Screening (Solo) | |
| This organ wants this, that organ wants that, Kunsthalle Münster, Münster (DE) | |
| Brief Encounters ’18 #1, Lustwarande, Tilburg (NL) | |
| This organ wants this, that organ wants that, Performing Entities, Academy of Fine Arts Nuremberg (DE) | |
| 2017 | This organ wants this, that organ wants that, Art Basel, Parcours Night, Basel (CH) |
| This organ wants this, that organ wants that, PAF: Czech Festival of Animation and Contemporary Art, Olomouc (CZ) | |
| Shana Moulton / Clélia Barbut et Charlotte Hubbert, Foundation Ricard, Paris (FR) | |
| This organ wants this, that organ wants that, Cure Park, Amsterdam (NL) | |
| Outhouse Portal, NICC, Brussels (BE) | |
| Shana Moulton: Whispering Pines!, Jundt Art Museum, Spokane (US) | |
| 2015 | SPF 2016, Kunsthaus Glarus, Glarus (CH) |
| SPF 2016,LOOP Festival 2016 and The Green Parrot @ Arts Santa Mònica, Barcelona (ES) | |
| Every Now and then I fall Apart, La Casa Encendida, Madrid (ES) | |
| Moments from Whispering Pines 10, Nuit Blanche Monaco, Monte Carlo, Monaco (MC) | |
| 2015 | Whispering Pines 10 Remix, Le Confort Moderne, Poitiers (FR) |
| You can’t hide your lying eyes without a face, Silencio in cooperation with FIAC, Paris (FR) | |
| An Evening with Shana Moulton, Museum of Modern Art, New York (US) | |
| SPF 2015, Primary, Nottingham (GB) | |
| My Life as an INFJ, Primary, Nottingham (GB) | |
| The Wise Wound, organized by Lucy Stein and The Tate St. Ives, St. Ives (GB) | |
| 2014 | A Public Fiction, at the Hammer Museum, The Hammer Museum, Los Angeles (US) |
| Friday Flights at the Getty, The Getty, Los Angeles (US) | |
| See me, feel me, touch me, heal me, South London Gallery, London (GB) | |
| Shana Moulton, Performances, Primary, Nottingham (GB) | |
| A polyphonic wave of concrete materials flowing through the air, Artes, Porto (PT) | |
| SPF 2014, Primary, Nottingham (GB) | |
| SPF 2014, Wysing Arts Centre, Bourn, Cambridge (GB) | |
| Dafna Maimon and Shana Moulton, Moonlight Lounge at Kule, Berlin (GE) | |
| An Unencumbered, Mobile, Detached Inner Eye, Outpost Gallery, Norwich (GB) | |
| Mindplace Thoughtstream, 1646, Den Haag (NL) | |
| Detached Inner Eye, La Loge, Brussels (BE) | |
| Rachel Feinstein: The Last Days of Folly, Madison Square Park, New York (US) | |
| Whispering Pines 10, Cricoteka, Krakow (PL) | |
| 2013 | Can Objects Perform?, Performa 2013, New York (US) |
| Detached Inner Eye, Western Front, Vancouver (CA) | |
| SPF 2012, Royal College of Art, London (GB) | |
| Whispering Pines 10, Warhol Museum, Pittsburgh (US) | |
| You Have to see this church, F.A.K., Muenster (GE) | |
| The Line Where Your Appearance Flips Over into Reality, Fondazione Morra Greco, Naples (IT) | |
| 2012 | SPF 2012, Private Line, New York (US) |
| Shana Moulton and Charles Wolski, The Poetry Project, New York (US) | |
| SPF 2012, Pleasure Dome, Toronto (CA) | |
| Total Styrene: A Gauche Louche, Galerie Zürcher, New York (US) | |
| SPF 2012, Festival Du Nouveau Cinema, Centre PHI, Montreal (CA) | |
| Questions, R4, Paris (FR) | |
| SPF 2012, Palais de Tokyo, Paris (FR) | |
| Whispering Pines 10, University of North Carolina Performing Arts Center, Chapel Hill (US) | |
| Whispering Pines 10, SFMOMA, San Francisco (US) | |
| Questions, Galeria Arsenał, Białystok (PL) | |
| Next Time (2): Almost, White Box, New York (US) | |
| 2011 | The Fireplace of Guardianship, EAI Benefit, Electronic Arts Intermix, New York (US) |
| Whispering Pines 10, New Museum, New York (US) | |
| I lost something in the hills, Santa Barbara Contemporary Arts Forum, Santa Barbara (US) | |
| Future Has Two Faces, Triple Canopy, Brooklyn (US) | |
| Whispering Pines 10, TBA Festival, Portland Institute for Contemporary Art, Portland (US) | |
| I lost something in the hills, OSLO 10, Basel (CH) | |
| SPF 2012, Physical Center, London (GB) | |
| A fun evening with Shana Moulton + Jacob Ciocci + Maya HayGB, Cinders Gallery, Brooklyn (US) | |
| 2010 | Performance in London as part of : Physical Center, Guest Projects, London (GB) |
| Whispering Pines 10, The Kitchen, New York (US) | |
| Thirty Days NY, New York (US) | |
| Movement Research Spring Festival 2010: HARDCORPS, Brooklyn (US) | |
| Waterpod, Exit Art, New York (US) | |
| Chateau Du Chic, Monkeytown, Brooklyn (US) | |
| 2009 | The Undiscovered Antique, Art in General for Performa 09, New York (US) |
| Body ÷ Mind + 7 = Spirit , Migros Museum, Zurich (CH) | |
| Body ÷ Mind + 7 = Spirit , The Bluecoat, Liverpool (GB) | |
| Body ÷ Mind + 7 = Spirit , Cote Court Film Festival, Pantin (FR) | |
| Listen In, Harvestworks, New York (US) | |
| Body ÷ Mind + 7 = Spirit, Starlite Cinema, Madison (US) | |
| Body ÷ Mind + 7 = Spirit, Transmodern Festival, Baltimore (US) | |
| 2008 | Rhizome Benefit Show, Participant, Inc., New York (US) |
| An Evening with Shana Moulton, Portland Documentary and experimental Film Festival, Portland (US) | |
| Media Archeology, Aurora Picture Show, Diverseworks, Houston (US) | |
| Cynthia’s Moment, Onion City Experimental Film Festival, The Nightingale, Chicago (US) | |
| Sand Saga, Broadway 1602, New York (US) | |
| Funny Not Funny, Bellwether Gallery, New York (US) | |
| Repetitive Stress Injuries, Pianissimo, Milan (IT) | |
| Frieze Art Fair, Broadway 1602, booth E16, London (GB) | |
| 2007 | Body ÷ Mind + 7 = Spirit, Electronic Arts Intermix, New York (US) |
| Float, Socrates Sculpture Park, Long Island City (US) | |
| Maison Du Chic, Glasslands, Brooklyn (US) | |
| 2006 | Menu-Action, De Appel, Amsterdam (NL) |
| Liefde in De Stad, Paradiso, Amsterdam (NL) | |
| Romancing the Unknown, public performance, Amsterdam (NL) | |
| 2005 | Dear John the Divine, De Ateliers, Amsterdam (NL) |
| 2004 | Flowers Observed, Flowers Transformed, Andy Warhol Museum, Pittsburgh (US) |
| Decorations of the Mind, Regina Miller Gouger Gallery, Pittsburgh (US) | |
| Decorations of the Mind, AMP, Brew House, Pittsburgh (US) |
Works in Public and
Institutional Collections
| CNAP (FR) | |
| Fondazione Morra Greco, Naples (IT) | |
| FRAC Aquitaine (FR) | |
| FRAC Normandie Caen (FR) | |
| Kunsthaus Glarus (CH) | |
| Museum Arnhem (NL) |
Awards & Residencies
| 2019 | Friends Art Fund, Warsaw (PL) |
| 2014-15 | Multiple Points in this Crude Landscape Residency, Primary, Nottingham (GB) |
| 2014 | Futurecamp Residency, Wysing Arts Centre, Bourn, Cambridgeshire (GB) |
| 2013 | Creative Capital Grant |
| The Elephant Trust Grant (with Lucy Stein) | |
| Kunsthuis SYB Residency, Beetsterzwaag, The Netherlands (NL) | |
| Western Front Residency, Vancouver (CA) | |
| 2012-13 | Smackmellon Studio Artist Residency, New York (US) |
| 2012 | NYFA Grant, New York (US) |
| 2011 | Sommerakademie, Zentrum Paul Klee, Berne (CH) |
| Zimmer for FAB, Kunsthuis SYB, Beetsterzwaag (NL) | |
| 2010-11 | LMCC Work Space, New York (US) |
| 2010 | Van Lier Fellowship, Havestworks, New York (US) |
| 2009 | Emergency Grant, The Foundation for Contemporary Arts, New York (US) |
| Finishing Funds, Experimental Television Center, New York (US) | |
| 2008 | Swing Space, Lower Manhattan Cultural Council, New York (US) |
| New Works Residency, Harvestworks, New York (US) | |
| 2004-06 | Dutch Ministry Grant to attend De Ateliers, Amsterdam (NL) |
| 2004 | Skowhegan Fellowship to attend Skowhegan School of Painting and Sculpture, Skowhegan (US) |
| 2003 | GUSH Grant, Carnegie Mellon University, Pittsburgh (US) |
CATALOGUES & PUBLICATIONS
| Where Water Comes Together With Other Water, 15th Lyon Biennale, Lyon, France, 2019. | |
| Producing Futures, edited by Heike Munder, Migros Museum & JRP Editions, Zurich, CH, 2019. | |
| The Female Perspective: Some Things Hidden, Framer Framed, 2018. | |
| Fashion Drive: Extreme Clothing in the Visual Arts, Kunsthaus Zurich, Switzerland, GR, 2018. | |
| Powers of Play, Tokyo University of the Arts, GR, 2018. | |
| ANTI- Athens Biennale, Athens, GR, 2018. | |
| Contemporary Art and Digital Culture, by Melissa Gronlund. Routledge, 2017. | |
| Dreamer’s Awake, by Dr Alyce Mahon, Susanna Greeves. White Cube, 2017. | |
| Elements and Principles of 4D Art and Design, by Ellen Mueller. Oxford University Press, 2016. | |
| This Way Madness Lies: The Asylum and Beyond, by Mike Jay. Thames & Hudson, 2016. | |
| Lucy Stein and Shana Moulton, GIRLS LIKE US, ISSUE 8, FAMILY, Brussels, 2016. | |
| Art in the Periphery of the Center, edited by Christoph Behnke, Cornelia Kastelan, Valerie Knoll, Ulf Wuggenig. Sternberg Press, Copublished with Leuphana University of Lüneburg, 2015. | |
| Nothing Twice, edited by Joanna Zielińska. Cricoteka, Krakow, 2014. | |
| Art and the Internet, edited by Phoebe Adler, Leanne Hayman, Arrate Hidalgo, Dana Saey, Phoebe Stubbs, and Nick Warner. Black Dog Publishing, London, 2013. | |
| The Future of Health, Garage Magazine. London, 2013. | |
| Shana Moulton - Siła Woli, with essays by Michał Jachuła, Natalia Kaliś and Zofia Krawiec. Galeria Arsenał, Białystok, 2012. | |
| Ecstatic + Streaming. Kunsthuis SYB, The Netherlands, 2012. | |
| Shana Moulton, The Blazing Fireplace of Guardianship, Content Series, SPD Books, 2012. Cover-spread, Showpaper 132, July 2012. | |
| Strange Attractors: Investigations in Non-Humanoid Extraterrestrial Sexualities, Encyclopedia Destructica, (DVD), 2012. | |
| Shift, Exhibition on young American artists creating on-site artwork in China, with catalogue essay by Dominique Nahas. Guangdong Times Museum, Guangzhou, 2011. | |
| Shana Moulton, The Undiscovered Antique, with catalogue essay by James Merle Thomas. Art in General, New York, 2009. | |
| Deterioration they said, edited by Raphael Gygax. With catalogue essay by Thomas Beard. Migros Museum, Zurich, 2009. |