Born in Oakhurst (US) 1976 | |
Lives and works in Santa Barbara (US) |
Education
1999 | University of California, Berkeley, (US) |
2004 | Carnegie Mellon University, Pittsburgh (US) |
2004 | Skowhegan School of Painting and Sculpture, Skowhegan (US) |
2006 | De Ateliers, Amsterdam (NL) |
Solo shows
2019 | Zabludowicz Collection, London (GB) |
2018 | Whispering Pines ∞, Galerie Gregor Staiger, Zurich (CH) |
2017 | The Undiscovered Drawer, Atlanta Contemporary, Atlanta (US) |
Outhouse Portal, NICC, Brussels (BE) | |
2016 | Mood swings, Crèvecœur, Paris (FR) |
Every Cell is a Bell, Kunsthaus Glarus, Switzerland (CH) | |
Every now and then I fall apart, The Green Parrot, Barcelona (ES) | |
Journeys out of the Body, Museum of Fine Arts, St.Petersburg (FL) | |
Every Angle is an Angel, Palais de Tokyo, Paris (FR) | |
Gund Commons, MOCA, Cleveland (US) | |
2015 | My life as an INFJ, Julius Caesar, Chicago (US) |
Picture Puzzle Pattern Door, The Yerba Buena Centre for the Arts, San Francisco (US) | |
The Rippled Self I know, Galerie Gregor Staiger, ZurichArts, San Francisco (US) | |
2014 | Shana Moulton, Selected videos and performances, La Loge, Brussels (BE) |
Mindplace Thoughtstream, 1646, Den Haag (NL) | |
Episodes From Whispering Pines, Nieuwe Vide, Haarlem (NL) | |
2013 | The Undiscovered Drawer, FIAC, Secteur Lafayette, with Crèvecœur, Paris (FR) |
Morphing Essence Syndrome, Smack Mellon, Brooklyn (US) | |
Hybrid Naples: L’ordine delle idee deve procedere secondo l’ordine delle cose, Fondazione Morra Greco, Naples (IT) | |
A Unique Boutique, Crèvecœur, Paris (FR) | |
2012 | Shana Moulton, Allcott Gallery, University of North Carolina, Chapel Hill, NC Galeria Arsenal, Bialystok (PL) |
Liste 17, with Gregor Staiger, Basel (CH) | |
Prevention, Gimpel Fils, London (GB) | |
2011 | Decorations of the Mind II, Gregor Staiger, Zurich (CH) |
Whispering Pines 6, 7, 8, The Box at The Wexner Center for the Arts, Cleveland (US) | |
Whispering Pines 4, David Castillo Gallery, Miami (US) | |
2010 | Whispering Pines 10, The New Museum Theater, New York (US) |
The Castle of Secrets, Galerie Fons Welters, Amsterdam (NL) | |
Puzzle Saga, Gimpel Fils, London (GB) | |
Whispering Pines 6, 7, 8, The Box at The Wexner Center for the Arts, Cleveland (US) | |
Whispering Pines 4, David Castillo Gallery, Miami (US) | |
2009 | Deterioration, they said, Migros Museum, Zurich, (CH) |
Erratic Anthropologies, Art in General, New York (US) | |
Whispering Pines by Shana Moulton, Broadcast Gallery, Dublin (GB) | |
Subjective Projections, Bielefelder Kunstverein, Bielefeld (DE) | |
4 x 4, The Bluecoat, Liverpool (GB) | |
2008 | Repetitive Stress Injuries, Pianissimo, Milan (IT) |
Whispering Pines, Contemporary Museum of Art, Uppsala (SU) | |
Sand Saga, Broadway 1602, New York (US) | |
2007 | Whispering Pines, Gimpel Fils, London (GB) |
Whispering Pines, Project Room, Bellwether, New York (US) |
Group shows
2019 | Extraordinary Ordinary, 38CC, Delft (NL) |
Nuit Blanche, Paris (FR) | |
FIAC Hors les Murs, Paris (FR) | |
Là où les eaux se mêlent, 15e Biennale d’art contemporain de Lyon, Lyon (FR) | |
REMAKE, Frac Normandie Rouen, Rouen (FR) | |
Producing Futures—An Exhibition on Post-Cyber-Feminisms, Migros Museum, Zurich (CH) | |
Mysteries and the Ordinary’, Castell, Zuoz (CH) | |
All His Ghosts Must Do My Bidding, Wysing Arts Centre, Bourn (GB) | |
BelVedere, mars, Milan (IT) | |
FOAF, WSCHÓD, Warsaw (PN) | |
Your Voice Matters, Museum Arnhem (NL) | |
2018 | Anti, Athens Biennale, (GR) |
Group Therapy, Frye Art Museum, Seattle (US) | |
Fashion Drive, Kunsthaus Zürich, Zurich (DE) | |
Adverbios Temporales, CentroCentro Cibeles de Cultura y Ciudadanía, Madrid (ES) | |
Breaking Shells, The Koppel Project Baker Street & The Koppel Project Hive, London (GB) | |
Broadcasting: EAI at ICA, Institute of Contemporary Art, Philadelphia (US) | |
Some Things Hidden, Framer Framed, Amsterdam (NL) | |
Remedial Works, PICA, Perth Institute of Contemporary Arts, Perth (AU) | |
2017 | beyond future is past, Kunsthalle Münster, Münster (DE) |
Ways of Seeing, Villa Empain – Fondation Boghossian, Brussels (BE) | |
Ways of Seeing, ARTER, Istanbul (TU) | |
Dreamers Awake, White Cube Bermondsey, London (GB) | |
Physical Mind Restless Hands, organized by Benedicte Gyldenstierne Sehested, Micky Schubert, Berlin (DE) | |
Through the Things We Make, Göteborg Konsthall (SU) | |
The Act of Magic, STUK Kunstencentrum vzw, Leuven (BE) | |
Observatories, The Center for the Arts, Jackson (US) | |
Collection Show, California College of the Arts Gallery PLAySPACE, San Francisco (US) | |
Good Vibrations, SIC, Helsinki, Finland (FI) | |
Some Hidden Things, Castrum Peregrini, Amsterdam (NL) | |
Love, Memory, Curiosity, Polana Institute @ the Warsaw Geological Museum, Warsaw (PL) | |
Remedial Works, Perth Institute of Contemporary Arts, Perth (AU) | |
Health as Metaphor, El Museo de Arte de Zapopan, Zapopan, México (MX) | |
General Audition, Galerie l’elac, Ecole cantonale d’art de Lausanne, Lausanne (CH) | |
She Devil, Studio Stefania Miscetti, Rome (IT) | |
INFRA - Inside the Outside World, Yamamoto Gendai, Tokyo (JP) | |
Condo, Galerie Gregor Staiger in collaboration with Emalin, London (GB) | |
Culture Industry, Mills College Gallery, Oakland (US) | |
Artefact: The Act of Magic, STUK Kunstcentrum, Lueven (BE) | |
Physical Mind Restless Hands, Micky Schubert, Berlin (DE) | |
Through the Things We Make, Åsa Norberg & Jennie Sundén, Göteborgs Konsthall, Göteborg (SU) | |
Cinema Arcane, The Front, New Orleans (US) | |
Being Well: In Search of Utopia?, The Old Stone House, Brooklyn (US) | |
3 Decades of Change, Artspace, New Have (US) | |
WHERE THE WOOZLE WASN’T, SØ, Copenhagen (DK) | |
The Fiction of the Fix, Tenderpixel, London (GB | |
Paysages en scène, Grand-Théâtre de Bordeaux, Bordeaux (FR) | |
2016 | The People’s Cinema, Salzburger Kunstverein, Salzburg (AU) |
New-Self-Portrait-Paradox, MINI/Goethe-Institut Curatorial, Residencies Ludlow 38*, New York (US) | |
Your Memories are our Future, Palais de Tokyo / ACRUSH, Zurich (CH) | |
Plein_Ecran, La Station, Nice (FR) | |
Group Show, Galerie Gregor Staiger, Zurich (CH) | |
5 Years at Heddon Street, Pippy Houldsworth Gallery, London (GB) | |
Playstation, Galerie Fons Welters, Amsterdam (NL) | |
Ein Schelm, wer Böses dabei denkt, Künstlerhaus Bremen, Bremen (DE) | |
Neo-Pagan Bitch-Witch, Evelyn Yard, London (GB) | |
MAXIMUM MINIMUM IN UNUM, Miller Gallery at Carnegie Mellon University, Pittsburgh (US) | |
Low-Grade Euphoria, SVA MA Curatorial Practice, Pfizer Building, Brooklyn (US) | |
The Portent of Light, MeetFactory Gallery, Prague (CZ) | |
Soap, Cream, Knife, apes&castles, Brussels, (BE) | |
2015 | The Averty Show, Le confort Moderne, Poitiers (FR) |
Axis Mundi Art as a healing tool, -1, Paris (FR) | |
Hybridize or Disappear, Museu Nacional de Arte Contemporânea do Chiado, Lisbon (PT) | |
Tchotchke: mass-produced sentimental objects in contemporary art, The Gund Gallery, Kenyon College, Ohio (US) | |
2014 | A Public Fiction at the Hammer Museum, The Hammer Museum, Los Angeles (US) |
Nothing Twice, Cricoteka Museum, Krakow (PL) | |
Shana Moulton and Lucy Stein, Gimpel Fils, London (GB) | |
There is nothing personal of yours to exhibit, Crèvecoeur, Paris (FR) | |
The aesthetics of a disenchanted world, Abbaye St André Centre d’art contemporain, Meymac (FR) | |
Rift, BALTIC 39, Newcastle upon Tyne | |
Monkeytown 4, MCA Denver, Denver (US) | |
A Drop of Golden Sun, with Zachary Wollard, La Mama Galleria, New York (US) | |
2013 | Oracular Vernacular, MAMO, Marseille (FR) |
As real as walking down the street and going to the grocery store, Rowing Projects, London (GB) | |
Lies that Tell the Truth: Magic Realism in Contemporary Art, Indiana State University Art Gallery, Terre Haute (US) | |
Monkeytown 3, Eyebeam, New York (US) | |
2012 | The Best of Times, Galerie Gregor Staiger, Zurich (CH) |
Technicolour Yawn, Import Porjects, Berlin (DE) | |
Stage Presence: Theatricality in Art and Media, SFMOMA, San Francisco (US) | |
Soundworks, ICA London (GB) | |
The Great Outdoors, Pace Digital Gallery, Pace University, New York (US) | |
Myopia Sparkles, MOCA London, London (GB) | |
2011 | The 29th Biennial of Graphic Arts, Ljubljana (SI) |
Shift, Guangdong Times Museum, Guangzhou (CH) | |
Coming Soon: Keren Cytter, Stanya Kahn, Dafna Maimon, and Shana Moulton, Future Gallery, Berlin (DE) | |
Invincible Summer Within, Ayuntamiento, Jesus Pobre (ES) | |
Looped, Salt Lake City Art Center, Salt Lake City (US) | |
The Promise, Crèvecoeur, Paris (FR) | |
Future Present: Five Artists, Five Weeks, Arthouse at the Jones Center, Austin (US) | |
(Re)move (Re)frame, Bard Center for Curatorial Studies, Annandale-on-Hudson, New York (US) | |
Le Slurm, Haute Ecole d’Art et Design, Geneva (CH) | |
Moving Image Fair, with Galerie Gregor Staiger, New York (US) | |
2010 | New Panorama, Pianissimo, Milan (IT) |
DO / REDO / UNDO – 50 YEARS OF VIDEO PERFORMANCE, Wiels, Brussels (BE) | |
No Soul For Sale, Tate Modern, London (GB) | |
LIVING IN ORANGE!!! (easyjetsetters), Forgotten Bar, Berlin (DE) | |
Great New York Cinema, MoMA PS1, Long Island City (US) | |
Chained to a Creature of a Different Kingdom, David Castillo Gallery, Miami (US) | |
Grotesque & Arabesque - New American Video, Kunstnernes Hus, Oslo (NO) | |
Inaugural Group Show, Broadway 1602, New York (US) | |
2009 | 45 Years of Performance Video from EAI, MoMA PS1, Long Island City (US) |
Temple, Ring Gallery, HDLU, Trgžrtava fašizma bb, Zagreb (HR) | |
Supergirl, NEXUS, Philadelphia (US) | |
Mermaids and Unicorns, I-20 Gallery, New York (US) | |
Arnhem Mode Biënnale - La Maison de Poupée, Historisch Museum Arnhem, Arnhem (NL) | |
2008 | Extasi, Extano, Frieze Art Fair, Broadway 1602 booth E16, London (GB) |
Funny Not Funny, Bellwether Gallery, New York (US) | |
Squaring the Circle, Suite 405, Brooklyn (US) | |
NEXT: The Invitational Exhibition of Emerging Art, Country Club booth, Chicago (US) | |
2007 | Float, Socrates Sculpture Park, Long Island City, New York (US) |
Modern Solitude, Galerie Fons Welters, Amsterdam (NL) | |
PLAN S, Pianissimo, Milan (IT) | |
Star Systems: Bjorn Kjelltoft and Shana Moulton, Fordham Lincoln Center Gallery, New York (US) | |
2006 | Action Adventure, Canada, New York (US) |
Wendy House, NewYorkRioTokyo, Berlin (DE) | |
Offspring, De Ateliers, Amsterdam (NL) | |
EAI at the Armory Show, Electronic Arts Intermix, New York (US) | |
2005 | Launch: EAI Projects, Electronic Arts Intermix, New York (US) |
Precious Moments, Joymore, Brooklyn (US) | |
Decorations of the Soul, joint show with Lucy Stein, Aurora, Edinburgh (GB) | |
2004 | Corin Hewitt/Shana Moulton, Livingroom-D-Lyx, Malmo (SE) |
2003 | Visceral, Athens Institute for Contemporary Art, Athens (GR) |
Performances
2018 | This organ wants this, that organ wants that, Athens Biennale, Athens (GR) |
fundament foundation, Tilburg (NL) | |
This organ wants this, that organ wants that, Atalante, Göteborg (SE) | |
This organ wants this, that organ wants that, Kunsthalle Münster, Münster (DE) | |
This organ wants this, that organ wants that, Performing Entities, Academy of Fine Arts Nuremberg (DE) | |
2017 | PAF — FESTIVAL OF FILM ANIMATION AND CONTEMPORARY ART, Olomouc (CZ) |
Foundation Ricard, Paris (FR) | |
Art Basel, Parcours Night, Basel (CH) | |
Cure Park, Amsterdam (NL) | |
Outhouse Portal, NICC, Brussels (BE) | |
Shana Moulton: Whispering Pines!, Jundt Art Museum, Spokane (US) | |
2015 | An Evening with Shana Moulton, Modern Mondays, MoMA, New York (US) |
A Public Fiction, at the Hammer Museum, The Hammer Museum, Los Angeles (US) | |
Friday Flights at the Getty, The Getty, Los Angeles (US) | |
SPF 2014, Outpost, Norwich (GB) | |
SPF 2014, Wysing Arts Centre, Bourn, Cambridge (GB) | |
Moonlight Lounge at Kule, Berlin (DE) | |
2014 | Morphing Essence Syndrome, Smack Mellon, Brooklyn (US) |
Can Objects Perform?, Performa 2013, New York (US) | |
Western Front, Vancouver (CA) | |
SPF 2012, Royal College of Art, London (GB) | |
Whispering Pines 10, Warhol Museum, Pittsburgh (US) | |
You Have to see this church, F.A.K., Muenster (DE) | |
2012 | SPF 2012, Palais de Tokyo, Paris (FR) |
Whispering Pines 10, SFMOMA, San Francisco (US) | |
Questions, Galeria Arsenał, Białystok, Poland (PL) | |
SPF 2012, Pleasure Dome, Toronto (CA) | |
Questions, R4, Paris (FR) | |
2011 | Whispering Pines 10, New Museum, New York (US) |
I lost something in the hills, Santa Barbara Contemporary Arts Forum, Santa Barbara (US) | |
Future Has Two Faces, Triple Canopy, Brooklyn (US) | |
Whispering Pines 10, TBA Festival, Portland Institute for Contemporary Art, Portland (US) | |
I lost something in the hills, OSLO 10, Basel (CH) | |
SPF 2012, Physical Center, London (GB) | |
A fun evening with Shana Moulton + Jacob Ciocci + Maya HayGB, Cinders Gallery, Brooklyn (US) | |
2010 | Performance in London as part of : Physical Center, Guest Projects, London (GB) |
Whispering Pines 10, The Kitchen, New York (US) | |
Thirty Days NY, New York (US) | |
HARDCORPS Movement Research Festival, Brooklyn (US) | |
Waterpod, Exit Art, New York (US) | |
Chateau Du Chic, Monkeytown, Brooklyn (US) | |
2009 | The Undiscovered Antique, Performa, New York (US) |
Body ÷ Mind + 7 = Spirit , Migros Museum, Zurich (CH) | |
Body ÷ Mind + 7 = Spirit , The Bluecoat, Liverpool (GB) | |
Body ÷ Mind + 7 = Spirit , Cote Court Film Festival, Pantin (FR) | |
2008 | Rhizome Benefit Show, Participant, Inc., New York (US) |
An Evening with Shana Moulton, Portland Documentary and experimental Film Festival, Portland (US) | |
Media Archeology, Aurora Picture Show, Diverseworks, Houston (US) | |
Cynthia’s Moment, Onion City Experimental Film Festival, The Nightingale, Chicago (US) | |
Sand Saga, Broadway 1602, New York (US) | |
Funny Not Funny, Bellwether Gallery, New York (US) | |
Frieze Art Fair, Broadway 1602, booth E16, London (GB) | |
Repetitive Stress Injuries, Pianissimo, Milan (IT) | |
2007 | Body ÷ Mind + 7 = Spirit, Electronic Arts Intermix, New York (US) |
Float, Socrates Sculpture Park, Long Island City (US) | |
Maison Du Chic, Glasslands, Brooklyn (US) | |
2006 | Menu-Action, De Appel, Amsterdam (NL) |
Liefde in De Stad, Paradiso, Amsterdam (NL) | |
Romancing the Unknown, public performance, Amsterdam (NL) | |
2005 | Dear John the Divine, De Ateliers, Amsterdam (NL) |
2004 | Flowers Observed, Flowers Transformed, Andy Warhol Museum, Pittsburgh (US) |
Decorations of the Mind, Regina Miller Gouger Gallery, Pittsburgh (US) | |
AMP, Brew House, Pittsburgh (US) |
Works in Public and
Institutional Collections
FRAC Normandie Caen (FR) | |
Kunsthaus Glarus (CH) | |
FRAC Aquitaine (FR) | |
Fondazione Morra Greco, Naples (IT) | |
Zabludowizc Collection, London (GB) | |
CNAP (FR) |
Awards & Residencies
2011 | Sommerakademie, Zentrum Paul Klee, Berne (CH) |
Zimmer for FAB, Kunsthuis SYB, Beetsterzwaag (NL) | |
2010/11 | LMCC Work Space, New York (US) |
2010 | Van Lier Fellowship, Havestworks, New York (US) |
2009 | Emergency Grant, The Foundation for Contemporary Arts, New York (US) |
Finishing Funds, Experimental Television Center, New York (US) | |
2008 | Swing Space, Lower Manhattan Cultural Council, New York (US) |
New Works Residency, Harvestworks, New York (US) | |
2004/06 | Dutch Ministry Grant to attend De Ateliers, Amsterdam (NL) |
2004 | Skowhegan Fellowship to attend Skowhegan School of Painting and Sculpture, Skowhegan (US) |
2003 | GUSH Grant, Carnegie Mellon University, Pittsburgh (US) |