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Mick Peter

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Bonington Vitrines #15: Nomadic Vitrine with Mick Peter, 2020, Bonington Gallery, Nottingham.

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Bonington Vitrines #15: Nomadic Vitrine with Mick Peter, 2020, Bonington Gallery, Nottingham.

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To Me, To You, 2019, exhibition view, Baltic Centre for Contemporary Art, Gateshead. © Rob Harris

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To Me, To You, 2019, exhibition view, Baltic Centre for Contemporary Art, Gateshead. © Rob Harris

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To Me, To You, 2019, exhibition view, Baltic Centre for Contemporary Art, Gateshead. © Rob Harris

Mick Peter - Galerie CrèveCoeur Loading

To Me, To You, 2019, exhibition view, Baltic Centre for Contemporary Art, Gateshead. © Rob Harris

Mick Peter - Galerie CrèveCoeur Loading

To Me, To You, 2019, exhibition view, Baltic Centre for Contemporary Art, Gateshead. © Rob Harris

Mick Peter - Galerie CrèveCoeur Loading

To Me, To You, 2019, exhibition view, Baltic Centre for Contemporary Art, Gateshead. © Rob Harris

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Cuts and Tears, 2017, exhibition view, Crèvecœur, Paris.

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Torn Drawings Drawing (?A) & (?B), 2017, acrylic ink, pencil, gouache and spray paint on paper, 38 × 48 (each).

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Cuts and Tears, 2017, exhibition view, Crèvecœur, Paris.

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Exhibition view, Paris Internationale 2016, Paris.

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Exhibition view, Paris Internationale 2016, Paris.

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 Pyramid Selling, 2015, exhibition view, Tramway, Glasgow.

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 Pyramid Selling, 2015, exhibition view, Tramway, Glasgow.

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 Pyramid Selling, 2015, exhibition view, Tramway, Glasgow.

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 Pyramid Selling, 2015, exhibition view, Tramway, Glasgow.

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Puddle, pothole, portal, 2014, exhibition view, Sculpture Center, New York.

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Almost cut my hair, 2014, Tramway, Hidden Gardens, Glasgow.

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Porcine Lout in the Mirror Lounge, 2014, exhibition view, Crèvecœur, Paris.

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An Interior Spaces, 2011, acrylic ink and pencil on paper, 35 × 43.5 cm.

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Lying and Liars, 2012, exhibition view, Collective Gallery, Edinburgh.

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Lying and Liars, 2012, exhibition view, Collective Gallery, Edinburgh.

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*The British Art Show 7, 2012, exhibition view, Tramway, GOMA & CCA, Glasgow.

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Two Nots 2011, exhibition view, Crèvecœur, Paris.

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Two Nots, 2011, ink and pencil on paper, 43.5 × 35 cm.

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Dr Syntax versus the Paperweights, 2010, exhibition view, The Changing Room, Stirling.

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Dr Syntax versus the Paperweights, 2010, exhibition view, The Changing Room, Stirling.

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The Nose : Epilogue, 2010, exhibition view, Cell Project, London.

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The Nose : Epilogue, 2010, exhibition view, Cell Project, London.

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Telephone Conversation, 2008, mixed medias, 200 × 100 × 100 cm.